Deborah Campbell0.0 In the midst of an unfolding international crisis, the renowned journalist Deborah Campbell finds herself swept up in the mysterious disappearance of Ahlam, her guide and friend. Her frank, personal account of a journey through fear, and the triumph of friendship and courage, is as riveting as it is illuminating.
The story begins in 2007 when Deborah Campbell travels undercover to Damascus to report on the exodus of Iraqis into Syria following the overthrow of Saddam Hussein. There she meets and hires Ahlam, a refugee working as a “fixer”—providing Western media with trustworthy information and contacts to help get the news out. Ahlam, who fled her home in Iraq after being kidnapped while running a humanitarian centre, not only supports her husband and two children through her work with foreign journalists but is setting up a makeshift school for displaced girls. She has become a charismatic, unofficial leader of the refugee community in Damascus, and Campbell is inspired by her determination to create something good amid so much suffering. Ahlam soon becomes her friend as well as her guide. But one morning Ahlam is seized from her home in front of Campbell’s eyes. Haunted by the prospect that their work together has led to her friend’s arrest, Campbell spends the months that follow desperately trying to find her—all the while fearing she could be next.
Through its compelling story of two women caught up in the shadowy politics behind today’s conflict, A Disappearance in Damascus reminds us of the courage of those who risk their lives to bring us the world’s news.
Росс Кинг4.0 Claude Monet is perhaps the world's most beloved artist, and among all his creations, the paintings of the water lilies in his garden at Giverny are most famous. Seeing them in museums around the world, viewers are transported by the power of Monet's brush into a peaceful world of harmonious nature. Monet himself intended them to provide “an asylum of peaceful meditation.” Yet, as Ross King reveals in his magisterial chronicle of both artist and masterpiece, these beautiful canvases belie the intense frustration Monet experienced at the difficulties of capturing the fugitive effects of light, water, and color. They also reflect the terrible personal torments Monet suffered in the last dozen years of his life.
Mad Enchantment tells the full story behind the creation of the Water Lilies, as the horrors of World War I came ever closer to Paris and Giverny, and a new generation of younger artists, led by Henri Matisse and Pablo Picasso, were challenging the achievements of Impressionism. By early 1914, French newspapers were reporting that Monet, by then 73 and one of the world's wealthiest, most celebrated painters, had retired his brushes. He had lost his beloved wife, Alice, and his eldest son, Jean. His famously acute vision--what Paul Cezanne called "the most prodigious eye in the history of painting"--was threatened by cataracts. And yet, despite ill health, self-doubt, and advancing age, Monet began painting again on a more ambitious scale than ever before. Linking great artistic achievement to the personal and historical dramas unfolding around it, Ross King presents the most intimate and revealing portrait of an iconic figure in world culture--from his lavish lifestyle and tempestuous personality to his close friendship with the fiery war leader Georges Clemenceau, who regarded the Water Lilies as one of the highest expressions of the human spirit.
Матти Фридман0.0 “Matti Friedman’s haunting war memoir reminds one of Michael Herr’s unforgettable Vietnam memoir, Dispatches. It, too, is destined to become a classic text on the absurdities of war. Evocative, emotionally wrenching, and yet clear-eyed and dispassionate, Pumpkinflowers is a stunning achievement.” —Kai Bird, Pulitzer Prize–winning biographer and New York Times bestselling author of The Good Spy
It was one small hilltop in a small, unnamed war in the late 1990s, but it would send out ripples still felt worldwide today. The hill, in Lebanon, was called the Pumpkin; flowers was the military code word for “casualties.” Award-winning writer Matti Friedman re-creates the harrowing experience of a band of young soldiers--the author among them--charged with holding this remote outpost, a task that changed them forever and foreshadowed the unwinnable conflicts the United States would soon confront in Iraq, Afghanistan, and elsewhere.
Part memoir, part reportage, part military history, this powerful narrative captures the birth of today’s chaotic Middle East and the rise of a twenty-first-century type of war in which there is never a clear victor, and media images can be as important as the battle itself. Raw and beautifully rendered, Pumpkinflowers will take its place among classic war narratives by George Orwell, Philip Caputo, and Vasily Grossman. It is an unflinching look at the way we conduct war today.
Иан Браун0.0 From the author of the award-winning The Boy in the Moon comes a wickedly honest and brutally funny account of the year in which Ian Brown truly realized that the man in the mirror was actually...sixty.
Sixty is a report from the front, a dispatch from the Maginot Line that divides the middle-aged from the soon to be elderly. As Ian writes, "It is the age when the body begins to dominate the mind, or vice versa, when time begins to disappear and loom, but never in a good way, when you have no choice but to admit that people have stopped looking your way, and that in fact they stopped twenty years ago."
Ian began keeping a diary with a Facebook post on the morning of February 4, 2014, his sixtieth birthday. As well as keeping a running tally on how he survived the year, Ian explored what being sixty means physically, psychologically and intellectually. "What pleasures are gone forever? Which ones, if any, are left? What did Beethoven, or Schubert, or Jagger, or Henry Moore, or Lucien Freud do after they turned sixty?" And most importantly, "How much life can you live in the fourth quarter, not knowing when the game might end?"
With formidable candour, he tries to answer this question: "Does aging and elderliness deserve to be dreaded--and how much of that dread can be held at bay by a reasonable human being?" For that matter, for a man of sixty, what even constitutes reasonableness?
