Вручение 2014 г.

Страна: Великобритания Дата проведения: 2014 г.

Победитель Премия Бетти Траск

Лауреат
Натан Файлер 3.5
Девятнадцатилетний Мэтью Хомс живет в расколотом мире, где даже самые безобидные вещи и привычные с детства лица искажаются, черное превращается в белое, а «хорошо» порой не отличить от «плохо». Но Мэтью понимает, как с этим бороться и как сохранить целостность своей личности...

Призер Премии Бетти Траск

Лауреат
NoViolet Bulawayo 3.1
Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the
But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her - from Junot Diaz to Zadie Smith to J.M.Coetzee - while she tells a vivid, raw story all her own.
Лауреат
Сэм Байерс 0.0
A debut novel of love, narcissism, and ailing cattle

Idiopathy (?d?'?p??i): a disease or condition which arises spontaneously or for which the cause is unknown.

Idiopathy: a novel as unexpected as its title, in which Katherine, Daniel, and Nathan—three characters you won't forget in a hurry—unsuccessfully try to figure out how they feel about one another and how they might best live their lives in a world gone mad. Featuring a mysterious cattle epidemic, a humiliating stint in rehab, an unwanted pregnancy, a mom–turned–media personality ("Mother Courage"), and a workplace with a bio-dome housing a perfectly engineered cornfield, it is at once a scathing satire and a moving meditation on love and loneliness. With unusual verbal finesse and great humor, Sam Byers neatly skewers the tangled relationships and unhinged narcissism of a self-obsessed generation in a remarkable, uproarious first novel.
Лауреат
Мэйв Феллоуз 0.0
With Chaplin & Company, a charming coming-of-age story set amid the grim magic of London's canals, Mave Fellowes has quickly established herself as one of the most exciting new voices to emerge from England.

When young Odeline Milk is left orphaned by her mother, she casts off her identity as a suburban outcast and moves to the big city in pursuit of her dream to become a great mime. So it must be fate when she finds a houseboat available--in London's peculiar canal neighborhood--called, of all things, Chaplin & Company. Though she starts out determined to keep to herself, she's quickly drawn into the dramatic lives of the larger-than-life and down-on-their-luck characters in the world around her.

Fellowes's deceptively smooth prose vibrates with the weird but lovable world she's built. Chaplin & Company is, indeed, "a deeply quirky and very charming first novel" (The Times).
Лауреат
Мэтт Грин 0.0
This is Alex’s story. But he doesn’t know exactly what it’s about yet, so you probably shouldn’t either.

Instead, here are some things that it’s sort of about (but not really):

It’s sort of (but not really) about brain surgery.

It’s sort of (but not really) about a hamster named Jaws 2 (after the original Jaws (who died), not the movie Jaws 2).

It’s sort of (but actually quite a lot) about Alex’s parents.

It’s sort of (but not really) about feeling ostrichized (which is a better word for excluded (because ostriches can’t fly so they often feel left out)).

It’s sort of (but not really (but actually, the more you think about it, kind of a lot)) about empathy (which is like sympathy only better), and also love and trust and fate and time and quantum mechanics and friendship and exams and growing up.

And it’s also sort of about courage. Because sometimes it actually takes quite a lot of it to bury your head in the sand.