Вручение 26 октября 2023 г.
Страна: США
Место проведения: г. Вашингтон, округ Колумбия
Дата проведения: 26 октября 2023 г.
Проза
Лауреат
Джеймс Ханнахам
0.0
Finalist for the Los Angeles Times Book Prize
A Lambda Literary Award Finalist
In this “razor-sharp” and “dangerously hilarious” novel that “hooks readers from the beginning” ( Los Angeles Times ), a trans woman reenters life on the outside after more than twenty years in a men’s prison, over one consequential Fourth of July weekend—from the author of the PEN/Faulkner Award winner Delicious Foods .
Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected, keeping Carlotta trapped in an all-male cell block, abused by both inmates and guards, and often placed in solitary.
In her fifth appearance before the parole board, Carlotta is at last granted conditional freedom and returns to a much-changed New York City. Over a whirlwind Fourth of July weekend, she struggles to reconcile with the son she left behind, to reunite with a family reluctant to accept her true identity, and to avoid any minor parole infraction that might get her consigned back to lockup.
Written with the same astonishing verve of Delicious Foods , which dazzled critics and readers alike, Didn’t Nobody Give a Shit What Happened to Carlotta sweeps the reader through seemingly every street of Brooklyn, much as Joyce’s Ulysses does through Dublin. The novel sings with brio and ambition, delivering a fantastically entertaining read and a cast of unforgettable characters even as it challenges us to confront the glaring injustices of a prison system that continues to punish people long after their time has been served.
Долен Перкинс-Вальдес
4.2
Вдохновленный реальными событиями, эмоциональный и глубоко трогательный роман о чернокожей медсестре, которая на американском Юге пытается добиться справедливости для своих пациенток.
1973 год, Алабама. У только что окончившей школу медсестер Сивил Таунсенд большие планы, она мечтает изменить мир к лучшему. В клинике контроля рождаемости она намерена помочь женщинам самим распоряжаться своим телом и своей жизнью. Сивил отправляется навестить своих первых пациенток, и пыльная проселочная дорога приводит ее в обшарпанную хижину, где живут Эрика и Индия. И Сивил с ужасом обнаруживает, что ее пациентки – дети, девочкам всего одиннадцать и тринадцать лет. Они еще даже ни разу не целовались с мальчиками, но они черные и бедные, а значит, с точки зрения белых чиновников из социальной службы, уже готовы плодиться, а потому нуждаются в превентивных мерах. Сивил решает, что будет бороться с такой несправедливостью, и ей, похоже, это удается. Она коренным образом меняет жизнь девочек, их отца и бабушки, но… Но трагедия все равно настигает их.
Спустя десятилетия всеми уважаемая доктор Сивил Таунсенд готова уйти на пенсию, обрести покой и оставить прошлое в прошлом. Но есть люди и истории, которые отказываются быть забытыми. Которые нельзя забывать.
Джасинда Таунсенд
0.0
A transnational feminist novel about human trafficking and motherhood from an award-winning author.
Saddled with student loans, medical debt, and the sudden news of her infertility after a major car accident, Shannon, an African American woman, follows her boyfriend to Morocco in search of relief. There, in the cobblestoned medina of Marrakech, she finds a toddler in a pink jacket whose face mirrors her own. With the help of her boyfriend and a bribed official, Shannon makes the fateful decision to adopt and raise the girl in Louisville, Kentucky. But the girl already has a mother: Souria, an undocumented Mauritanian woman who was trafficked as a teen, and who managed to escape to Morocco to build another life.
In rendering Souria’s separation from her family across vast stretches of desert and Shannon’s alienation from her mother under the same roof, Jacinda Townsend brilliantly stages cycles of intergenerational trauma and healing. Linked by the girl who has been a daughter to them both, these unforgettable protagonists move toward their inevitable reckoning. Mother Country is a bone-deep and unsparing portrayal of the ethical and emotional claims we make upon one another in the name of survival, in the name of love.
Carty-Williams Candice
0.0
If You Could Choose Your Family...
You Wouldn't Choose the Penningtons.
Dimple Pennington knew of her half siblings, but she didn't really know them. Five people who don't have anything in common except for faint memories of being driven through Brixton in their dad's gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about. She's thirty, and her life isn't really going anywhere. An aspiring lifestyle influencer with a terrible and wayward boyfriend, Dimple's life has shrunk to the size of a phone screen. And despite a small but loyal following, she's never felt more alone in her life. That is, until a catastrophic event brings her half siblings Nikisha, Danny, Lizzie and Prynce crashing back into her life. And when they're all forced to reconnect with Cyril Pennington, the absent father they never really knew, things get even more complicated.
Dionne Irving
0.0
Powerful stories that explore the legacy of colonialism, and issues of race, immigration, sexual discrimination, and class in the lives of Jamaican women across London, Panama, France, Jamaica, Florida and more
The Islands follows the lives of Jamaican women—immigrants or the
descendants of immigrants—who have relocated all over the world to escape the ghosts of colonialism on what they call the Island. Set in the United States, Jamaica, and Europe, these international stories examine the lives of an uncertain and unsettled cast of characters. In one story, a woman and her husband impulsively leave San Francisco and move to Florida with wild dreams of American reinvention only to unearth the cracks in their marriage. In another, the only Jamaican mother—who is also a touring comedienne—at a prep school feels pressure to volunteer in the school’s International Day. Meanwhile, in a third story, a travel writer finally connects with the mother who once abandoned her.
Set in locations and times ranging from 1950s London to 1960s Panama to modern-day New Jersey, Dionne Irving reveals the intricacies of immigration and assimilation in this debut, establishing a new and unforgettable voice in Caribbean-American literature. Restless, displaced, and disconnected, these characters try to ground themselves—to grow where they find themselves planted—in a world in which the tension between what’s said and unsaid can bend the soul.
Дебют
Лауреат
Мерон Хадера
0.0
Winner of the 2020 Restless Books Prize for New Immigrant Writing and the 2021 AKO Caine Prize for African Writing, Ethiopian American author Meron Hadero’s gorgeously wrought stories in A Down Home Meal for These Difficult Times offer poignant, compelling narratives of those whose lives have been marked by border crossings and the risk of displacement.
Set across the U.S. and abroad, Meron Hadero’s stories feature immigrants, refugees, and those on the brink of dispossession, all struggling to begin again, all fighting to belong. Moving through diverse geographies and styles, this captivating collection follows characters on the journey toward home, which they dream of, create and redefine, lose and find and make their own. Beyond migration, these stories examine themes of race, gender, class, friendship and betrayal, the despair of loss and the enduring resilience of hope.
Winner of the 2021 AKO Caine Prize for African Writing, “The Street Sweep” is about an enterprising young man on the verge of losing his home in Addis Ababa who pursues an improbable opportunity to turn his life around. Appearing in Best American Short Stories, “The Suitcase” follows a woman visiting her country of origin for the first time and finds that an ordinary object opens up an unexpected, complex bridge between worlds. Shortlisted for the 2019 Caine Prize, “The Wall” portrays the intergenerational friendship between two refugees living in Iowa who have connections to Germany before the fall of the Berlin Wall. A Best American Short Stories notable, “Mekonnen aka Mack aka Huey Freakin’ Newton” is a coming-of-age tale about an Ethiopian immigrant in Brooklyn encountering nuances of race in his new country.
Kaleidoscopic, powerful, and illuminative, the stories in A Down Home Meal for These Difficult Times expand our understanding of the essential and universal need for connection and the vital refuge of home—and announce a major new talent in Meron Hadero.
Natasha Gordon-Chipembere
0.0
Finding La Negrita is a captivating retelling of the Black Madonna narrative, which has driven Costa Rica's national and spiritual identity since the 1700s. In powerful prose, Natasha Gordon-Chipembere delivers a vivid and intimate living portrait of slavery in this nation, which was radically different from plantation bondage in other parts of the Americas.
Meet Dakarai, a famed African sculptor who must buy his freedom once he is stolen into slavery and separated from his newborn daughter, Jendayi. Her mother has died in childbirth, in the hold of a Middle Passage ship. Husband and child are left to reconcile their grief over her absence and forge a life somehow in the New World. Finding La Negrita spans time and space as it captures Dakarai and Jendayi's reunion, one ripe with the secrets and sacrifices a single father confronts while raising a strong-minded young girl, in an era with a precarious line between freedom and enslavement. In those margins, and unbeknownst to each other, they both dare to pursue dangerous new loves beyond the limits of what colonial society will permit. But at what cost to themselves and each other?
Leila Mottley
4.3
NEW YORK TIMES BEST SELLER - AN OPRAH BOOK CLUB PICK - BOOKER PRIZE LONGLIST - A dazzling novel about a young Black woman who walks the streets of Oakland and stumbles headlong into the failure of its justice system. This debut of a blazingly original voice "bursts at the seams of every page and swallows you whole" (Tommy Orange, author of There There).
A BEST BOOK OF THE YEAR: The New Yorker, The Washington Post, Los Angeles Times, San Francisco Chronicle, TIME, GOODREADS
Kiara and her brother, Marcus, are scraping by in an East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison
But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent--which has more than doubled--and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed. One night, what begins as a drunken misunderstanding with a stranger turns into the job Kiara never imagined wanting but now desperately needs: nightcrawling. Her world breaks open even further when her name surfaces in an investigation that exposes her as a key witness in a massive scandal within the Oakland Police Department.
Rich with raw beauty, electrifying intensity, and piercing vulnerability, Nightcrawling marks the stunning arrival of a voice unlike any we have heard before.
Документальная литература: исторические/социальные/политические
Лауреат
Маргарет А. Бёрнем
0.0
If the law cannot protect a person from a lynching, then isn’t lynching the law?
In By Hands Now Known, Margaret A. Burnham, director of Northeastern University’s Civil Rights and Restorative Justice Project, challenges our understanding of the Jim Crow era by exploring the relationship between formal law and background legal norms in a series of harrowing cases from 1920 to 1960. From rendition, the legal process by which states make claims to other states for the return of their citizens, to battles over state and federal jurisdiction and the outsize role of local sheriffs in enforcing racial hierarchy, Burnham maps the criminal legal system in the mid-twentieth-century South, and traces the unremitting line from slavery to the legal structures of this period and through to today.
Drawing on an extensive database, collected over more than a decade and exceeding 1,000 cases of racial violence, she reveals the true legal system of Jim Crow, and captures the memories of those whose stories have not yet been heard.
Winston James
0.0
One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay’s life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik.
Winston James offers a revelatory account of McKay’s political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay’s time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik.
Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay’s life, political evolution, and the historical, political, and intellectual contexts that shaped him.
Caleb Gayle
0.0
A landmark work of untold American history that reshapes our understanding of identity, race, and belonging
In We Refuse to Forget, award-winning journalist Caleb Gayle tells the extraordinary story of the Creek Nation, a Native tribe that two centuries ago both owned slaves and accepted Black people as full citizens. Thanks to the efforts of Creek leaders like Cow Tom, a Black Creek citizen who rose to become chief, the U.S. government recognized Creek citizenship in 1866 for its Black members. Yet this equality was shredded in the 1970s when tribal leaders revoked the citizenship of Black Creeks, even those who could trace their history back generations--even to Cow Tom himself.
Why did this happen? How was the U.S. government involved? And what are Cow Tom's descendants and other Black Creeks doing to regain their citizenship? These are some of the questions that Gayle explores in this provocative examination of racial and ethnic identity. By delving into the history and interviewing Black Creeks who are fighting to have their citizenship reinstated, he lays bare the racism and greed at the heart of this story. We Refuse to Forget is an eye-opening account that challenges our preconceptions of identity as it shines new light on the long shadows of white supremacy and marginalization that continue to hamper progress for Black Americans.
Robert OMeally
0.0
Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation , Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.
From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
Документальная литература: мемуары/биографии
Лауреат
Росс Гэй
0.0
An intimate and electrifying collection of essays from the New York Times bestselling author of The Book of Delights
In these gorgeously written and timely pieces, prizewinning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life’s inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we expand it.
In “We Kin” he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in “Share Your Bucket” he explores skateboarding’s reclamation of public space; he considers the costs of masculinity in “Grief Suite”; and in “Through My Tears I Saw,” he recognizes what was healed in caring for his father as he was dying.
In an era when divisive voices take up so much air space, Inciting Joy offers a vital alternative: What might be possible if we turn our attention to what brings us together, to what we love? Full of energy, curiosity, and compassion, Inciting Joy is essential reading from one of our most brilliant writers.
Harrison Mooney
0.0
An unforgettable coming-of-age memoir about a Black boy adopted into a white, Christian fundamentalist family
Perfect for fans of Educated , Punch Me Up to the Gods , and Surviving the White Gaze
“An affecting portrait of life inside the twin prisons of racism and unbending orthodoxy.” --Kirkus Reviews
A powerful, experiential journey from white cult to Black Harrison Mooney’s riveting story of self-discovery lifts the curtain on the trauma of transracial adoption and the internalized antiblackness at the heart of the white evangelical Christian movement.
Inspired by Ralph Ellison’s Invisible Man the same way Ta-Nehisi Coates’s Between the World and Me was inspired by James Baldwin, Harrison Mooney’s debut memoir will captivate readers with his powerful gift for storytelling, his keen eye for insight and observation, and his wry sense of humor.
As an adopted and homeschooled Black boy with ADHD at white fundamentalist Christian churches and tent revivals, Mooney was raised amid a swirl of conflicting and confusing messages and beliefs. Within that radical and racist right-wing bubble along the U.S. border in Canada's Bible Belt, Harrison was desperate to belong and to be "visible" to those around him.
But before ultimately finding his own path, Harrison must first come to understand that the forces at work in his life were not supernatural, but the same trauma and systemic violence that has terrorized Black families for generations. Reconnecting with his birth mother--and understanding her journey--leads Harrison to a new connection with the eyes looking down were my true mother’s eyes, and the face was my true mother’s face, and for the first time in my life, I saw that I was beautiful.
D. Watkins
0.0
A New York Times bestselling and award-winning author presents a complex story about his coming-of-age journey as a Black boy, from the societal roots of trauma to finding joy.
"If I had two wishes, it would be that D. Watkins spend an entire book writing through the terrifying wonder of Black boyness in America, and for every human to read and share this book. I am shaken. Black Boy Smile changed my relationship to writing and me." ― Kiese Laymon, author of Heavy and winner of the Andrew Carnegie Medal
At nine years old, D. Watkins has three concerns in picking his dad’s Lotto numbers, keeping his Nikes free of creases, and being a man. Directly in his periphery is east Baltimore, a poverty-stricken city battling the height of the crack epidemic just hours from the nation’s capital. Watkins, like many boys around him, is thrust out of childhood and into a world where manhood means surviving by slinging crack on street corners and finding oneself on the right side of pistols. For thirty years, Watkins is forced to safeguard every moment of joy he experiences or risk losing himself entirely. Now, for the first time, Watkins harnesses these moments to tell the story of how he matured into the D. Watkins we know today—beloved author, college professor, editor-at-large, and devoted husband and father.
Black Boy Smile lays bare Watkins’s relationship with his father and his brotherhood with the boys around him. He shares candid recollections of early assaults on his body and mind and reveals how he coped using stoic silence disguised as manhood. His harrowing pursuit of redemption, written in his signature street style, pinpoints how generational hardship, left raw and unnurtured, breeds toxic masculinity. Watkins discovers a love for books, is admitted to two graduate programs, meets with his future wife, an attorney—and finds true freedom in fatherhood.
Equally moving and liberating, Black Boy Smile is D. Watkins’s love letter to Black boys in concrete cities, a daring testimony that brings to life the contradictions, fears, and hopes of boys hurdling headfirst into adulthood. Black Boy Smile is a story proving that when we acknowledge the fallacies of our past, we can uncover the path toward self-discovery. Black Boy Smile is the story of a Black boy who healed.
Taylor Harris
0.0
A Black mother bumps up against the limits of everything she thought she believed—about science and medicine, about motherhood, and about her faith—in search of the truth about her son.
One morning, Tophs, Taylor Harris’s round-cheeked, lively twenty-two-month-old, wakes up listless and unresponsive. She rushes Tophs to the doctor, ignoring the part of herself, trained by years of therapy for generalized anxiety disorder, that tries to whisper that she’s overreacting. But at the hospital, her maternal instincts are confirmed: something is wrong with her boy, and Taylor’s life will never be the same.
With every question the doctors answer about Tophs’s increasingly troubling symptoms, more arise, and Taylor dives into the search for a diagnosis. She spends countless hours trying to navigate health and education systems that can be hostile to Black mothers and children; at night she googles, prays, and interrogates her every action. Some days, her sweet, charismatic boy seems just fine—others, he struggles to answer simple questions. What is she missing?
When Taylor brings Tophs to a long-awaited appointment with a geneticist, she hopes that this time, she’ll leave with answers. The test reveals nothing about what’s causing Tophs’s drops in blood sugar, his processing delays—but it does reveal something unexpected about Taylor’s own health. What if her son’s challenges have saved her life? And how can she choose the best path forward—for herself and for her beautiful, unsolvable boy?
This Boy We Made is a stirring and radiantly written examination of the bond between mother and child, full of hard-won ins
Поэзия
Лауреат
Courtney Faye Taylor
0.0
In her virtuosic debut, Courtney Faye Taylor explores the under-told history of the murder of Latasha Harlins—a fifteen-year-old Black girl killed by a Korean shop owner, Soon Ja Du, after being falsely accused of shoplifting a bottle of orange juice. Harlins’s murder and the following trial, which resulted in no prison time for Du, were inciting incidents of the 1992 Los Angeles uprising, and came to exemplify the long-fraught relationship between Black and Asian American communities in the United States. Through a collage-like approach to collective history and storytelling, Taylor’s poems present a profound look into the insidious points at which violence originates against—and between—women of color.
Concentrate displays an astounding breadth of form and experimentation in found texts, micro-essays, and visual poems, merging worlds and bending time in order to interrogate inexorable encounters with American patriarchy and White supremacy manifested as sexual and racially charged violence. These poems demand absolute focus on Black womanhood’s relentless refusal to be unseen, even and especially when such luminosity exposes an exceptional vulnerability to harm and erasure. Taylor’s inventive, intimate book radically reconsiders the cost of memory, forging a path to a future rooted in solidarity and possibility. “Concentrate,” she writes. “We have decisions to make. Fire is that decision to make.”
Беллетристика
Лауреат
T. L. Huchu
0.0
T.L. Huchu returns with the gripping Our Lady of Mysterious Ailments, the next in the Alex-Award-winning Edinburgh Nights series.
Some secrets are meant to stay buried
When Ropa Moyo discovered an occult underground library, she expected great things. She’s really into Edinburgh’s secret societies – but turns out they are less into her. So instead of getting paid to work magic, she’s had to accept a crummy unpaid internship. And her with bills to pay and a pet fox to feed.
Then her friend Priya offers her a job on the side. Priya works at Our Lady of Mysterious Maladies, a very specialized hospital, where a new illness is resisting magical and medical remedies alike. The first patient was a teenage boy, Max Wu, and his healers are baffled. If Ropa can solve the case, she might earn as she learns – and impress her mentor, Sir Callander.
Her sleuthing will lead her to a lost fortune, an avenging spirit and a secret buried deep in Scotland’s past. But how are they connected? Lives are at stake and Ropa is running out of time.
Точи Онибучи
0.0
In the 2050s, Earth has begun to empty. Those with the means and the privilege have departed the great cities of the United States for the more comfortable confines of space colonies. Those left behind salvage what they can from the collapsing infrastructure. As they eke out an existence, their neighborhoods are being cannibalized. Brick by brick, their houses are sent to the colonies, what was once a home now a quaint reminder for the colonists of the world that they wrecked.
A primal biblical epic flung into the future, Goliath weaves together disparate narratives—a space-dweller looking at New Haven, Connecticut as a chance to reconnect with his spiraling lover; a group of laborers attempting to renew the promises of Earth’s crumbling cities; a journalist attempting to capture the violence of the streets; a marshal trying to solve a kidnapping—into a richly urgent mosaic about race, class, gentrification, and who is allowed to be the hero of any history.
Rita Woods
0.0
After her mother’s unexpected death, Layla Hurley must accept that their relationship was always distant and fraught. In the wake of her passing, Layla reconnects with the maternal side of her family—aunts she hasn’t been allowed to visit or speak to for years, and stories she’s never heard. She travels to South Carolina in search of closure, but discovers much more than she bargained for. While her mother harbored dark and disturbing secrets, there is also talk of her inheritance: a piece of land on the Gullah-Geechee island off the shore is now her own.
But Layla inherits more than land. A long-buried mysterious power, dropped through generations of her Gullah ancestors, awakens. Like many women before her, Layla is a dreamwalker. She can inhabit and manipulate the dreams of others. As she dives into dark memories of her mother and the history of the island, she’s desperate to hold onto what’s real and untangle it from the looming dread that someone else, someone cloaked in malice, inhabits these dreams too.
No gift is without its consequences, and Layla finds herself thrust in the middle of a nightmare against an enemy that could snatch away her family and her life as she knows it.
