Джеймс Бойс0.0 A pre-existing population of proud indigenous people are forced out of their homelands. Then they are materially, culturally and spiritually disenfranchised by a financially mighty imperial state. Their impoverishment is justified to them, and to the outside world, as being necessary for 'progress'. All of this takes place in East Anglia.
An innovative new take on the drainage of the Fens, framed in the language of colonialism, Imperial Mud upends the classical narrative of this being a triumph of technology over nature. The final destruction of England's last lowland wilderness and the dispossession of its custodians was not a consequence of 'progress', but of the growing power of a centralised and militarised state.
Imperial Mud reimagines not just the history of the Fens, but the history (and identity) of the English people. And in reimagining the past, it invents a new future.
Франческа Уэйд0.0 An engrossing group portrait of five women writers, including Virginia Woolf, who moved to London's Mecklenburgh Square in search of new freedom in their life and work.
"I like this London life . . . the street-sauntering and square-haunting."--Virginia Woolf, diary, 1925
In the early twentieth century, Mecklenburgh Square--a hidden architectural gem in London's Bloomsbury--was a radical address, home to students, struggling artists, and revolutionaries. And in the pivotal era between the two world wars, the lives of five remarkable women intertwined around this one address: the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women's freedoms were fast expanding, they each sought a space where they could live, love, and--above all--work independently.
With sparkling insight and a novelistic style, Francesca Wade sheds new light on a group of artists and thinkers whose pioneering work would enrich the possibilities of women's lives for generations to come.
Моник Рофи3.7 Жертва древнего проклятья русалка Айкайя вынуждена вечно скитаться в океане и быть всегда одинокой. Однако встреча с молодым рыбаком Дэвидом зажигает в ее душе свет. Неужели благодаря страстному чувству она снова сможет стать полноценной женщиной?
Захватывающие и вместе с тем трепетные романы Моник Рофи высоко оцениваются читателями по всему миру, и она не раз становилась лауреатом престижных премий.
Гарет Рис0.0 There is a Britain that exists outside of the official histories and guidebooks - places that lie on the margins, left behind. A Britain in the cracks of the urban facade where unexpected life can flourish. Welcome to UNOFFICIAL BRITAIN.; This is a land of industrial estates and electricity pylons, of motorway service stations and haunted council houses, of roundabouts and flyovers.; Places where modern life speeds past but where people and stories nevertheless collect. Places where human dramas play out: stories of love, violence, fear, boredom and artistic expression.; Places of ghost sightings, first kisses, experiments with drugs, refuges for the homeless, hangouts for the outcasts.; Struck by the power of these stories and experiences, Gareth E. Rees set out to explore these spaces and the essential part they have played in the history and geography of our isles.; Though mundane and neglected, they can be as powerfully influential in our lives, and imaginations, as any picture postcard tourist destination.; This is Unofficial Britain, a personal journey along the edges of a landscape brimming with mystery, tragedy and myth. (From Waterstone's product page).
Джеймс Ребэнкс0.0 James Rebanks was taught by his grandfather to work the land the old way. Their family farm in the Lake District hills was part of an ancient agricultural landscape: a patchwork of crops and meadows, of pastures grazed with livestock, and hedgerows teeming with wildlife. And yet, by the time James inherited the farm, that landscape had profoundly changed. The men and women had vanished from the fields; the old stone barns had crumbled; the skies had emptied of birds and their wind-blown song.
English Pastoral is the story of an inheritance: one that affects us all. It tells of how rural landscapes around the world were brought close to collapse, and how the age-old rhythms of work, weather, community and wild things were lost. But this elegy from the northern fells is also a song of hope: of how, guided by the past, one farmer began to salvage a tiny corner of England that was now his, doing his best to restore the life that had vanished and to leave a legacy for the future.
This is a book about what it means to have love and pride in a place, and how, against the odds, it may still be possible to build a new pastoral: not a utopia, but somewhere decent for us all.
Нина Мингья Паулз0.0 SHORTLISTED FOR THE FORWARD PRIZES FOR POETRY 2020 and a Poetry Book Society Choice: Magnolia, 8;൪9;, Nina Mingya Powles’ first full collection, dwells within the tender, shifting borderland between languages, and between poetic forms, to examine the shape and texture of memories, of myths, and of a mixed-race girlhood. &t;br/&t; Abundant with multiplicities, these poems find profound, distinctive joy in sensory nourishment – in the sharing of food, in the recounting of memoir, or vividly within nature. This is a poetry deeply attuned to the possibilities within layers of written, spoken and inherited words. A journal of sound, colour, rain, and light, these poems also wield their own precise and radical power to name and reclaim, draw afresh their own bold lines.
Кэролайн О'Донохью0.0 'Do you know what céad mile fáilte means?'
'A hundred thousand welcomes.'
'Not a hundred thousand homes. Not a hundred thousand "stay here's".'
Charlie Regan's life isn't going forward, so she's decided to go back.
After a tough few years floundering around the British film industry, experimenting with amateur pornography and watching her father's health rapidly decline, she and her best friend Laura journey to her ancestral home of Clipim, an island off the west coast of Ireland. Knowing this could be the last chance to connect with her dad's history before she loses him, Charlie clings to the idea of her Irish roots offering some kind of solace. But she'll find out her heritage is about more than clichés and clover-foamed Guinness.
When the girls arrive at Clipim, Charlie begins to question both her difficult relationship with Laura and her father's childhood stories. Before long, she's embroiled in a devastating conspiracy that's been sixty years in the making . . . and it's up to her to reveal the truth of it.
With a sharp eye and sour tongue, Caroline O'Donoghue delivers a delicious contemporary fable of prodigal return. Blisteringly honest, funny and moving, it grapples with love, friendship and the struggle of second-generation immigrants trying to belong.
Мишель Галлен0.0 Meet Majella O’Neill, a heroine like no other, in this captivating Irish debut that has been called Milkman meets Derry Girls
Majella is happiest out of the spotlight, away from her neighbors’ stares and the gossips of the small town in Northern Ireland where she grew up just after the Troubles. She lives a quiet life caring for her alcoholic mother, working in the local chip shop, watching the regular customers come and go. She wears the same clothes each day (overalls, too small), has the same dinner each night (fish and chips, microwaved at home after her shift ends), and binge-watches old DVDs of the same show (Dallas, best show on TV) from the comfort of her bed.
But underneath Majella’s seemingly ordinary life are the facts that she doesn’t know where her father is and that every person in her town has been changed by the lingering divide between Protestants and Catholics. When Majella’s predictable existence is upended by the death of her granny, she comes to realize there may be more to life than the gossips of Aghybogey, the pub, and the chip shop. In fact, there just may be a whole big world outside her small town.
Told in a highly original voice, with a captivating heroine readers will love and root for, Big Girl, Small Town will appeal to fans of Sally Rooney, Ottessa Moshfegh, and accessible literary fiction with an edge.
Кэтрин Флетчер0.0 'Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness' SIMON SEBAG MONTEFIORE
The Italian Renaissance shaped western culture – but it was far stranger and darker than many of us realise.
We revere Leonardo da Vinci for his art but few now appreciate his ingenious designs for weaponry. We know the Mona Lisa for her smile but not that she was married to a slave-trader. We visit Florence to see Michelangelo's David but hear nothing of the massacre that forced the republic’s surrender. In focusing on the Medici in Florence and the Borgias in Rome, we miss the vital importance of the Genoese and Neapolitans, the courts of Urbino and Mantua. Rarely do we hear of the women writers, Jewish merchants, the mercenaries, engineers, prostitutes, farmers and citizens who lived the Renaissance every day.
In fact, many of the most celebrated artists and thinkers that have come to define the Renaissance – Leonardo and Michelangelo, Raphael and Titian, Machiavelli and Castiglione – emerged not during the celebrated ‘rebirth’ of the fifteenth century but amidst the death and destruction of the sixteenth century. For decades, a series of savage wars dominated Italy’s political, economic and daily life, generating fortunes and new technologies, but also ravaging populations with famine, disease and slaughter. In this same short time, the birth of Protestantism, Spain’s colonisation of the Americas and the rise of the Ottoman Empire all posed grave threats to Italian power, while sparking debates about the ethics of government and enslavement, religious belief and sexual morality.
In The Beauty and the Terror, Catherine Fletcher provides an enrapturing narrative history that brings all of this and more into view. Brimming with life, it takes us closer than ever before to the lived reality of this astonishing era and its meaning for today.
'Through reading this book you will come to understand that the heart and soul of running are to be found in Ethiopia.' Haile Gebrselassie
'Full of wonderful insights and lessons from a world where the ability to run is viewed as something almost mysterious and magical.' Adharanand Finn, author of Running with the Kenyans
'Ethiopia is a place where I have been told that energy is controlled by angels and demons and where witchdoctors can help you to acquire another runner's power. It is a place where an anonymous runner in the forest told me, miming an imaginary scoreboard and with a completely straight face, that he had dreamt that he would run 10km in 25 minutes. It is a place where they tell me that the air at Mount Entoto will transform me into a 2.08 marathon runner. It is a place, in short, of wisdom and magic, where dreaming is still very much alive.'
Why does it make sense to Ethiopian runners to get up at 3am to run up and down a hill? Who would choose to train on almost impossibly steep and rocky terrain, in hyena territory? And how come Ethiopian men hold six of the top ten fastest marathon times ever?
Michael Crawley spent fifteen months in Ethiopia training alongside (and sometimes a fair way behind) runners at all levels of the sport, from night watchmen hoping to change their lives to world class marathon runners, in order to answer these questions. Follow him into the forest as he attempts to keep up and get to the heart of their success.
Рут Гиллиган0.0 Every year, Úna prepares for her father to leave her. He will wave goodbye early one morning, then disappear with seven other men to traverse the Irish countryside. Together, these men form The Butchers, a group that roams from farm to farm, enacting ancient methods of cattle slaughter.
The Butchers’ Blessing moves between the events of 1996 and the present, offering a simmering glimpse into the modern tensions that surround these eight fabled men. For Úna, being a Butcher’s daughter means a life of tangled ambition and incredible loneliness. For her mother Grá, it’s a life of faith and longing, of performing a promise that she may or may not be able to keep. For non-believer Fionn, The Butchers represent a dated and complicated reality, though for his son Davey, they represent an entirely new world—and potentially new love. For photographer Ronan, The Butchers are ideal subjects: representatives of an older, more folkloric Ireland whose survival is now being tested. As he moves through the countryside, Ronan captures this world image by image—a lake, a cottage, and his most striking photo: a single butcher, hung upside-down in a pose of unspeakable violence.
