Вручение 2007 г.

Премия вручена за 2006 год.

Страна: Великобритания Место проведения: город Лондон Дата проведения: 2007 г.

Премия Брэнфорд-Боуз

Лауреат
Шиван Доуд 5.0
Ireland 1984.

After Shell's mother dies, her obsessively religious father descends into alcoholic mourning and Shell is left to care for her younger brother and sister. Her only release from the harshness of everyday life comes from her budding spiritual friendship with a naive young priest, and most importantly, her developing relationship with childhood friend, Declan, who is charming, eloquent, and persuasive. But when Declan suddenly leaves Ireland to seek his fortune in America, Shell finds herself pregnant and the center of a scandal that rocks the small community in which she lives, with repercussions across the whole country. The lives of those immediately around her will never be the same again.

This is a story of love and loss, religious belief and spirituality—it will move the hearts of any who read it.
Charlie Fletcher 0.0
When George breaks the dragon's head outside the Natural History Museum he awakes an ancient power. This prehistoric beast, sentry-still for centuries, hunts him down with a terrifying wrath. And this is just the beginning... The taints and spits - statues with opposing natures - are warring forces; wreaking deadly havoc on the city landscape. The World War One gunner offers protection of sorts; and the wisdom of the Sphinx is legendary. But George and his companion Edie are trapped in a world of danger. And worse - they are quite alone. The rest of London is oblivious to their plight.
Элли Кеннен 0.0
Stephen hasn't had it easy. He's now in foster care because his mom is crazy and his dad is an ex-con. He's always in trouble or on his way to trouble. But none of these problems compare to the problem of The Beast.
Stephen has been taking care of The Beast for years. It is his biggest secret -- and also his biggest challenge. If it could, The Beast would eat Stephen alive. The only thing separating them is a rusty cage. And the bars are about to break. . . .
Энди Стэнтон 4.0
The beginning of a weird, wacky, one in a million series about the plight of the truly nasty Mr Gum and a crazy cast of characters—a cross between Roald Dahl and Monty Python

Mr Gum is a truly nasty old man. He's a complete horror who hates children, animals, fun, and corn on the cob. This book's all about him. And an angry fairy who lives in his bathtub. And Jake the dog, and a little girl named Polly, and an evil, stinky butcher all covered in guts. And there are heroes and sweets and adventures and everything.
Линда Бакли-Арчер 0.0
The year is 1763. Gideon Seymour, cutpurse and gentleman, hides in dense underbrush from the villainous Tar Man. Suddenly the sky peels away like fabric and from the gaping hole fall two curious-looking children. Peter Schock and Kate Dyer have fallen straight from the 21st century, thanks to an experiment Kate's father was running with an antigravity machine. Before Gideon and the children have a chance to gather their wits, the Tar Man has taken off with the machine and Kate and Peter's only chance of getting home. Soon Gideon, Kate, and Peter are swept into a journey through 18th century London, over the routes of notorious highwaymen, and even into King George's palace and form a bond that, they hope, will stand strong in the face of unfathomable treachery.
Historical detail comes alive as debut author Linda Buckley-Archer weaves the 18th century trials of Gideon, Kate, and Peter with the modern-day worries of their parents and the wily investigator trying to piece together the children's disappearance. A time-travel tale in the tradition of Mark Twain with a touch of Back to the Future, the first audiobook of the Gideon trilogy introduces listeners to a modern genre all its own.
Tabitha Suzuma 0.0
Life as a student is good for Flynn. As one of the top pianists at the Royal College of Music, he has been put forward for an important concert, the opportunity of a lifetime. But beneath the surface, things are changing. On a good day he feels full of energy and life, but on a bad day being alive is worse than being dead. Sometimes he wants to compose and practice all night, at other times he can't get out of bed. With the pressure of the forthcoming concert and the growing concern of his family and friends, emotions come to a head. Sometimes things can only get worse before they get better.