Вручение 17 сентября 2019 г.

Премия за книги 2018 года.

Страна: США Место проведения: город Бостон, публичная библиотека Дата проведения: 17 сентября 2019 г.

Художественная литература

Лауреат
Сьюзэн Бернхард 0.0
A haunting debut novel about family and sacrifice, Winter Loon reminds us of how great a burden the past can be, the toll it exacts, and the freedom that comes from letting it go.

Abandoned by his father after his mother drowns in a frozen Minnesota lake, fifteen-year-old Wes Ballot is stranded with coldhearted grandparents and holed up in his mother’s old bedroom surrounded by her remnants and memories. As the wait for his father stretches unforgivably into months, a local girl, whose own mother died a brutal death, captures his heart and imagination, reminding Wes that hope always floats to the surface.

When buried truths come to light in the spring thaw, wounds are exposed and violence erupts, forcing Wes to embark on a search for his missing father, the truth about his mother, and a future he must claim for himself—a quest that begins back at that frozen lake.

A powerful, page-turning coming-of-age story, Winter Loon captures the resilience of a boy determined to become a worthy man by confronting family demons, clawing his way out of the darkness, and forging a life from the shambles of a broken past.

Документальная литература

Лауреат
Simon Winchester 0.0
The revered New York Times bestselling author traces the development of technology from the Industrial Age to the Digital Age to explore the single component crucial to advancement—precision—in a superb history that is both an homage and a warning for our future.

The rise of manufacturing could not have happened without an attention to precision. At the dawn of the Industrial Revolution in eighteenth-century England, standards of measurement were established, giving way to the development of machine tools—machines that make machines. Eventually, the application of precision tools and methods resulted in the creation and mass production of items from guns and glass to mirrors, lenses, and cameras—and eventually gave way to further breakthroughs, including gene splicing, microchips, and the Hadron Collider.

Simon Winchester takes us back to origins of the Industrial Age, to England where he introduces the scientific minds that helped usher in modern production: John Wilkinson, Henry Maudslay, Joseph Bramah, Jesse Ramsden, and Joseph Whitworth. It was Thomas Jefferson who later exported their discoveries to the fledgling United States, setting the nation on its course to become a manufacturing titan. Winchester moves forward through time, to today’s cutting-edge developments occurring around the world, from America to Western Europe to Asia.

As he introduces the minds and methods that have changed the modern world, Winchester explores fundamental questions. Why is precision important? What are the different tools we use to measure it? Who has invented and perfected it? Has the pursuit of the ultra-precise in so many facets of human life blinded us to other things of equal value, such as an appreciation for the age-old traditions of craftsmanship, art, and high culture? Are we missing something that reflects the world as it is, rather than the world as we think we would wish it to be? And can the precise and the natural co-exist in society?

Книга для детей и подростков

Лауреат
Tara Lynn Masih 0.0
Hanna Slivka is on the cusp of fourteen when Hitler's army crosses the border into Soviet-occupied Ukraine. Soon, the Gestapo closes in, determined to make the shtetele she lives in “free of Jews.” Until the German occupation, Hanna spent her time exploring Kwasova with her younger siblings, admiring the drawings of the handsome Leon Stadnick, and helping her neighbor dye decorative pysanky eggs. But now she, Leon, and their families are forced to flee and hide in the forest outside their shtetele—and then in the dark caves beneath the rolling meadows, rumored to harbor evil spirits. Underground, they battle sickness and starvation, while the hunt continues above. When Hanna’s father disappears, suddenly it’s up to Hanna to find him—and to find a way to keep the rest of her family, and friends, alive.

Sparse, resonant, and lyrical, weaving in tales of Jewish and Ukrainian folklore, My Real Name Is Hanna celebrates the sustaining bonds of family, the beauty of a helping hand, and the tenacity of the human spirit.

National Jewish Book Award Finalist
The Julia Ward Howe Award for Young Readers
Florida Book Award and Foreword INDIES Award-Gold Medals
Skipping Stones Honor Award
M.T. Anderson 0.0
Subverting convention, award-winning creators M. T. Anderson and Eugene Yelchin pair up for an anarchic, outlandish, and deeply political saga of warring elf and goblin kingdoms.

Uptight elfin historian Brangwain Spurge is on a mission: survive being catapulted across the mountains into goblin territory, deliver a priceless peace offering to their mysterious dark lord, and spy on the goblin kingdom — from which no elf has returned alive in more than a hundred years. Brangwain’s host, the goblin archivist Werfel, is delighted to show Brangwain around. They should be the best of friends, but a series of extraordinary double crosses, blunders, and cultural misunderstandings throws these two bumbling scholars into the middle of an international crisis that may spell death for them — and war for their nations. Witty mixed media illustrations show Brangwain’s furtive missives back to the elf kingdom, while Werfel’s determinedly unbiased narrative tells an entirely different story. A hilarious and biting social commentary that could only come from the likes of National Book Award winner M. T. Anderson and Newbery Honoree Eugene Yelchin, this tale is rife with thrilling action and visual humor . . . and a comic disparity that suggests the ultimate victor in a war is perhaps not who won the battles, but who gets to write the history.
Джейсон Рейнольдс 0.0
Sunny tries to shine despite his troubled past in this third novel in the critically acclaimed Track series from National Book Award finalist Jason Reynolds.

Ghost. Patina. Sunny. Lu. Four kids from wildly different backgrounds, with personalities that are explosive when they clash. But they are also four kids chosen for an elite middle school track team—a team that could qualify them for the Junior Olympics. They all have a lot of lose, but they all have a lot to prove, not only to each other, but to themselves. Sunny is the main character in this novel, the third of four books in Jason Reynold’s electrifying middle grade series.

Sunny is just that—sunny. Always ready with a goofy smile and something nice to say, Sunny is the chillest dude on the Defenders team. But Sunny’s life hasn’t always been sun beamy-bright. You see, Sunny is a murderer. Or at least he thinks of himself that way. His mother died giving birth to him, and based on how Sunny’s dad treats him—ignoring him, making Sunny call him Darryl, never “Dad”—it’s no wonder Sunny thinks he’s to blame. It seems the only thing Sunny can do right in his dad’s eyes is win first place ribbons running the mile, just like his mom did. But Sunny doesn’t like running, never has. So he stops. Right in the middle of a race.

With his relationship with his dad now worse than ever, the last thing Sunny wants to do is leave the other newbies—his only friends—behind. But you can’t be on a track team and not run. So Coach asks Sunny what he wants to do. Sunny’s answer? Dance. Yes, dance. But you also can’t be on a track team and dance. Then, in a stroke of genius only Jason Reynolds can conceive, Sunny discovers a track event that encompasses the hard hits of hip-hop, the precision of ballet, and the showmanship of dance as a whole: the discus throw. As Sunny practices the discus, learning when to let go at just the right time, he’ll let go of everything that’s been eating him up inside, perhaps just in time.
Мартин Сэндлер 0.0
A nation in need of hope, the most powerful rocket ever launched, and the first three men to break the bounds of Earth: Apollo 8 was headed to the moon.

In 1957, when the USSR launched Sputnik I, the first man-made satellite to orbit Earth, America's rival in the Cold War claimed victory on a new frontier. The Space Race had begun, and the United States was losing. Closer to home, a decade of turbulence would soon have Americans reeling, with the year 1968 alone seeing the assassinations of Martin Luther King Jr. and Robert F. Kennedy as well as many violent clashes between police and protesters. Americans desperately needed something good to believe in, and NASA's mission to orbit Earth in Apollo 8 and test a lunar landing module was being planned for the end of the year. But with four months to go and the module behind schedule, the CIA discovered that the USSR was preparing to send its own mission around the moon -- another crucial victory in the Space Race -- and it was clearly time for a change of plan. In a volume full of astonishing full-color photographs, including the iconic Earthrise photo, Martin W. Sandler unfolds an incredible chapter in U.S. history: Apollo 8 wouldn't just orbit Earth, it would take American astronauts to see the dark side of the moon.