Вручение 18 ноября 2020 г.

Лауреат объявлен на виртуальной церемонии, устроенной писателем Камалем Аль-Солайли.

На конкурс 61 издательство представило 123 работы.

Страна: Канада Место проведения: город Торонто Дата проведения: 18 ноября 2020 г.

Премия Этвуд-Гибсона за художественную литературу

Лауреат
Джил Адамсон 0.0
Part literary Western and part historical mystery, Ridgerunner is the follow-up to Gil Adamson’s award-winning and critically acclaimed novel The Outlander.

November 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future.

Twelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost.

Set against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, The Outlander, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.
Zsuzsi Gartner 0.0
An electrifying debut from the Giller Prize-shortlisted author of Better Living Through Plastic Explosives that takes readers for a wild ride with urban-gothic flair and delectably wicked humour.

Lucy is a lapsed-Catholic whose adolescent pretensions to sainthood are unexpectedly revived.

It all starts when her cousin Zoltan, in hospital following a bizarre incident at a party, offers her a disturbing deathbed confession. Lucy's grief takes an unusual turn: Zoltan's death appears to have turned her into a magnet for the unshriven. Lucy is transformed into a self-described "flesh-and-blood Wailing Wall" as strangers unburden themselves to her. She becomes addicted to the dark stories, finds herself jonesing for hit after hit.

As the confessions pile up, Lucy begins to wonder if Zoltan's death was as random and unscripted as it appeared. She clutches at alarming synchronicities, seeks meaning in the stories of strangers. Why do the stories seem connected to each other or eerily echo elements of her life? Could it be because Lucy has her own transgressions to acknowledge? And then there is that stubbornly resurfacing past, like a tell-tale ribbon of hair snagged on a fish hook.

With ruthless wit and dizzying energy, The Beguiling explores blessings and curses, sainthood and sin, mortality and guilt in all its guises. Weaving together tales of errant mothers, vengeful plants, canine wisdom, and murder, it lays bare the flesh and blood sacrifices people are willing to make to get what they think they desire.
Michelle Good 5.0
Winner of the 2018 HarperCollins/UBC Prize for Best New Fiction Michelle Good's FIVE LITTLE INDIANS, told from the alternating points of view of five former residential school students as they struggle to survive in 1960s Vancouver—one finding her way into the dangerous world of the American Indian movement; one finding unexpected strength in motherhood; and one unable to escape his demons - and the bonds of friendship that sustain them, inspired by the author's experiences.
Томас Кинг 0.0
Meet Bird and Mimi in this brilliant new novel from one of Canada’s foremost authors. Inspired by a handful of old postcards sent by Uncle Leroy nearly a hundred years earlier, Bird and Mimi attempt to trace Mimi’s long-lost uncle and the family medicine bundle he took with him to Europe.

By turns witty, sly and poignant, this is the unforgettable tale of one couple’s holiday trip to Europe, where their wanderings through its famous capitals reveal a complicated history, both personal and political.
Мария Рева 0.0
A bureaucratic glitch omits an entire building, along with its residents, from municipal records. So begins Reva's ingeniously intertwined narratives, nine stories that span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive.

In "Bone Music," an agoraphobic recluse survives by selling contraband LPs, mapping the vinyl grooves of illegal Western records into stolen X-ray film. A delusional secret service agent in "Letter of Apology" becomes convinced he's being covertly recruited to guard Lenin's tomb, just as his parents, not seen since he was a small child, supposedly were. Weaving the narratives together is the unforgettable, chameleon-like Zaya: a cleft-lipped orphan in "Little Rabbit," a beauty-pageant crasher in "Miss USSR," a sadist-for-hire to the Eastern Bloc's newly minted oligarchs in "Homecoming."

Good Citizens Need Not Fear tacks from moments of intense paranoia to surprising tenderness and back again, exploring what it is to be an individual amid the roiling forces of history. Inspired by her and her family's own experiences in Ukraine, Reva brings the black absurdism of early Shteyngart and the sly interconnectedness of Anthony Marra's Tsar of Love and Techno to a collection that is as clever as it is heartfelt.