Андреа Гиллис0.0 Keeper is a fiercely honest "glimpse into the dementia abyss" - an endlessly engrossing meditation on memory and the mind, on family, and on a society that is largely indifferent to the far-reaching ravages of this baffling disease.
Five years ago, Andrea Gillies - writer, wife, and mother of three - seeing that her husband's parents were struggling to cope, invited them to move in. She and her newly extended family relocated to a big Victorian house on a remote, windswept peninsula in the far north of Scotland, leaving behind their friends and all that was familiar; hoping to find a new life, and new inspiration for work.
Her mother-in-law Nancy was in the middle stages of Alzheimer's Disease, and Keeper charts her journey into dementia, its impact on her personality and her family, and the author's researches into what dementia is. As the grip of her disease tightens, Nancy's grasp on everything we think of as ordinary unravels before our eyes. Diary entries and accounts of conversations with Nancy track the slow unravelling. The journey is marked by frustration, isolation, exhaustion, and unexpected black comedy. For the author, who knew little about dementia at the outset, the learning curve was steeper than she could have imagined. The most pernicious quality of Alzheimer's, Gillies suggests, is that the loss of memory is, in effect, the loss of one's self, and Alzheimer's, because it robs us of our intrinsic self-knowledge, our ability to connect with others, and our capacity for self-expression, is perhaps the most terrible and most dehumanizing illness. Moreover, as Gillies reminds us, the effects of Alzheimer's are far-reaching, impacting the lives of caregivers and their loved ones in every way imaginable.
Keeper is a fiercely honest "glimpse into the dementia abyss" - an endlessly engrossing meditation on memory and the mind, on family, and on a society that is largely indifferent to the far-reaching ravages of this baffling disease.
Keeper won the U.K.'s Orwell Prize for political writing and the Wellcome Trust Book Prize for medical writing.
Абрахам Вергезе4.5 «Рассечение Стоуна» – история любви длиною в жизнь, предательства и искупления, человеческой слабости и силы духа, изгнания и долгого возвращения к корням. В миссионерской больнице Адис-Абебы при трагических, истинно шекспировских, обстоятельствах рождаются два мальчика, два близнеца, сросшихся затылками, Мэрион и Шива. Рожденные прекрасной индийской монахиней от хирурга-англичанина, мальчики осиротели в первые часы жизни. Искусство и мужество врачей, разделивших их сразу после рождения, определило их жизнь и судьбу. Мэрион и Шива свяжут свою жизнь с медициной, но каждый пойдет своей дорогой. Их ждет удивительная, трагическая и полная невероятных событий судьба. Абсолютно счастливое детство и драматическая юность, поиски себя и своих корней, предательство и страстное желание искупить вину, любовь, похожая на наваждение, и ревность, изъедающая душу. И все это под сенью медицины. Что бы не происходило в жизни героев этого воистину большого романа, как бы не терзала их судьба, главным для них всегда оставалась хирургия – дело, ради которого они пришли в этот мир. Абрахам Вергезе – выдающий доктор, светило в области физиотерапии, один из самых авторитетных врачей Америки. Его первый роман стал большим событием, удивительная проникновенность и достоверность, глубочайшее знание профессии и великолепный литературный стиль позволяют назвать книгу Вергезе одним из самых значительных медицинских романов последнего столетия.
Брайан Диллон0.0 Charlotte BrontA« found in her illnesses, real and imagined, an escape from familial and social duties, and the perfect conditions for writing. The German jurist Daniel Paul Schreber believed his body was being colonized and transformed at the hands of God and doctors alike. Andy Warhol was terrified by disease and by the idea of disease. Glenn Gould claimed a friendly pat on his shoulder had destroyed his ability to play piano. And we all know someone who has trawled the Internet in solitude, seeking to pinpoint the source of his or her fantastical symptoms. The Hypochondriacs is a book about fear and hope, illness and imagination, despair and creativity. It explores, in the stories of nine individuals, the relationship between mind and body as it is mediated by the experience, or simply the terror, of being ill. And, in an intimate investigation of those lives, it shows how the mind can make a prison of the body by distorting our sense of ourselves as physical beings. Through witty, entertaining, and often moving examinations of the lives of these eminent hypochondriacsa??James Boswell, Charlotte BrontA«, Charles Darwin, Florence Nightingale, Alice James, Daniel Paul Schreber, Marcel Proust, Glenn Gould, and Andy Warhola??Brian Dillon brilliantly unravels the tortuous connections between real and imagined illness, irrational fear and rational concern, the minda??s aches and the bodya??s ideas.
Havi Carel0.0 What is illness? Is it a physiological malfunction or a social label? Is it simply the absence of health? How do our physical, social, and emotional worlds change when we become ill? Havi Carel addresses these questions by interweaving a personal account of her own serious illness with a more abstract, philosophical account of illness in general. She argues that illness should be seen not simply as a localized biological dysfunction but as a transformation of our social, psychological, and physical worlds and our temporal existence. By focusing on illness as a lived experience, she reveals illness as a life-changing event rather than a limited physiological problem, showing that the body is not a lifeless container for the self but the core of human subjectivity and embodied existence.
Allegra Goodman0.0 Allegra Goodman returns with a bracing new novel, at once an intricate mystery and a rich human drama set in the high-stakes atmosphere of a prestigious research institute in Cambridge, Massachusetts.
Sandy Glass, a charismatic publicity-seeking oncologist, and Marion Mendelssohn, a pure, exacting scientist, are codirectors of a lab at the Philpott Institute dedicated to cancer research and desperately in need of a grant. Both mentors and supervisors of their young postdoctoral protégés, Glass and Mendelssohn demand dedication and obedience in a competitive environment where funding is scarce and results elusive. So when the experiments of Cliff Bannaker, a young postdoc in a rut, begin to work, the entire lab becomes giddy with newfound expectations. But Cliff’s rigorous colleague–and girlfriend–Robin Decker suspects the unthinkable: that his findings are fraudulent. As Robin makes her private doubts public and Cliff maintains his innocence, a life-changing controversy engulfs the lab and everyone in it.
With extraordinary insight, Allegra Goodman brilliantly explores the intricate mixture of workplace intrigue, scientific ardor, and the moral consequences of a rush to judgment. She has written an unforgettable novel.
Джонни Стейнберг0.0 At the age of twenty-nine, Sizwe Magadla is among the most handsome, well-educated, and richest of the men in his poverty-stricken village. Dr. Hermann Reuter, a son of old South West African stock, wants to show the world that if you provide decent treatment, people will come and get it, no matter their circumstances.
Sizwe and Hermann live at the epicenter of the greatest plague of our times, the African AIDS epidemic. In South Africa alone, nearly 6 million people in a population of 46 million are HIV-positive. Already, Sizwe has watched several neighbors grow ill and die, yet he himself has pushed AIDS to the margins of his life and associates it obliquely with other people's envy, with comeuppance, and with misfortune.
When Hermann Reuter establishes an antiretroviral treatment program in Sizwe's district and Sizwe discovers that close family members have the virus, the antagonism between these two figures from very different worlds -- one afraid that people will turn their backs on medical care, the other fearful of the advent of a world in which respect for traditional ways has been lost and privacy has been obliterated -- mirrors a continent-wide battle against an epidemic that has corrupted souls as much as bodies.
A heartbreaking tale of shame and pride, sex and death, and a continent's battle with its demons, Steinberg's searing account is a tour-de-force of literary journalism.
