Делая свой выбор, судьи охарактеризовали книгу как потрясающее, мощное произведение, «оригинальное и прекрасно написанное». Они хвалили истории за то, что они были собраны в единое целое, но также и за то, что они стоят отдельно — все они противоречат тому, что значит быть евреем.
In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all.
The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.
Нир Барам0.0 A writer wakes up in a hotel room in an unfamiliar city. His clothes are muddy; he doesn’t know how long he’s been lying in bed. Yonatan came to participate in a literary festival that is long over—why is he still here? When he attempts to reconstruct his lost days, he learns that he told people at the festival that his best friend had died.
Except his friend is still alive.
Yonatan stays on in Mexico City, reluctant to return to his wife and infant son back home in Tel Aviv. Convinced that his closest friend, Yoel, is going to die, he struggles to preserve his sanity. But why is he so convinced? Does the answer lie in their childhood in Jerusalem, when it was them against the world?
At Night’s End is a compassionate and personal novel about an extraordinary friendship between two boys who become men haunted by a shared past. It is also a universal story of family and love, and of the power of memory and imagination.
Эдмунд де Вааль0.0 A tragic family history told in a collection of imaginary letters to a famed collector, Moise de Camondo
Letters to Camondo is a collection of imaginary letters from Edmund de Waal to Moise de Camondo, the banker and art collector who created a spectacular house in Paris, now the Musée Nissim de Camondo, and filled it with the greatest private collection of French eighteenth-century art.
The Camondos were a Jewish family from Constantinople, “the Rothschilds of the East,” who made their home in Paris in the 1870s and became philanthropists, art collectors, and fixtures of Belle Époque high society, as well as being targets of antisemitism―much like de Waal's relations, the Ephrussi family, to whom they were connected. Moise de Camondo created a spectacular house and filled it with art for his son, Nissim; after Nissim was killed in the First World War, the house was bequeathed to the French state. Eventually, the Camondos were murdered by the Nazis.
After de Waal, one of the world’s greatest ceramic artists, was invited to make an exhibition in the Camondo house, he began to write letters to Moise de Camondo. These fifty letters are deeply personal reflections on assimilation, melancholy, family, art, the vicissitudes of history, and the value of memory.
An internationally recognized scholar and theologian shares a Jewish mysticism for our times in this " humane, accessible " book (Publishers Weekly, Starred Review)
“Green challenges traditional notions of God, Israel, and Torah, offering a radically new understanding and stimulating the reader to join him in a journey of discovery.”—Daniel Matt, Graduate Theological Union
Judaism, one of the world’s great spiritual traditions, is not addressed to Jews alone. In this masterful book, winner of the 2020 National Jewish Book Award in the Contemporary Jewish Life and Practice category, Arthur Green calls out to seekers of all sorts, offering a universal response to the eternal human questions of who we are, why we exist, where we are going, and how to live.
Drawing on over half a century as a Jewish seeker and teacher, he shows us a Judaism that cultivates the life of the spirit, that inspires an inward journey leading precisely toward self-transcendence, to an awareness of the universal Self in whose presence we exist. As a neo-hasidic seeker, he is both devotional and boldly questioning in his understanding of God and tradition. Engaging with the mystical sources, he translates the insights of the Hasidic masters into a new religious language accessible to all those eager to build an inner life and a human society that treasures the divine spark in each person and throughout Creation.
Венди Лоуэр0.0 A single photograph — an exceptionally rare “action shot” documenting the horrific final moment of the murder of a family — drives a riveting process of discovery for a gifted Holocaust scholar
In 2009, the acclaimed author of Hitler’s Furies was shown a photograph just brought to the United States Holocaust Memorial Museum. The documentation of the Holocaust is vast, but there are virtually no images of a Jewish family at the actual moment of murder, in this case by German officials and Ukrainian collaborators. A Ukrainian shooter’s rifle is inches from a woman's head, obscured in a cloud of smoke. She is bending forward, holding the hand of a barefooted little boy. And — only one of the shocking revelations of Wendy Lower’s brilliant ten-year investigation of this image — the shins of another child, slipping from the woman’s lap.
Wendy Lower’s forensic and archival detective work — in Ukraine, Germany, Slovakia, Israel, and the United States — recovers astonishing layers of detail concerning the open-air massacres in Ukraine. The identities of mother and children, of the killers—and, remarkably, of the Slovakian photographer who openly took the image, as a secret act of resistance — are dramatically uncovered. Finally, in the hands of this brilliant exceptional scholar, a single image unlocks a new understanding of the place of the family unit in the ideology of Nazi genocide.
Eshkol Nevo0.0 From the internationally best-selling author of Three Floors Up , a literary page-turner that delves into the deepening cracks in a carefully constructed public persona.
A writer tries to answer a set of interview questions sent to him by a website. At first, they stick to the standard fare: Did you always know you would be a writer? How autobiographical are your books? Have you written any stories you would never publish? Usually his answers in these situations are measured, calculated, cautious. But this time, when his heart is about to break and his life is about to crumble, he finds he cannot tell anything but the truth. The naked, funny, sad, scandalous, politically incorrect truth.
Every question the writer tackles opens a door to a hidden room of his life. And each of his answers reveals that at the heart of every truth, there is a lie--and vice versa. Surprising, bold, intimate, and utterly engrossing, The Last Interview shows just how tenuous the lines are between work and life, love and hate, fact and fiction.
Энн Себба0.0 New York Times bestselling author Anne Sebba's moving biography of Ethel Rosenberg, the wife and mother whose execution for espionage-related crimes defined the Cold War and horrified the world.
In June 1953, Julius and Ethel Rosenberg, a couple with two young sons, were led separately from their prison cells on Death Row and electrocuted moments apart. Both had been convicted of conspiracy to commit espionage for the Soviet Union, despite the fact that the US government was aware that the evidence against Ethel was shaky at best and based on the perjury of her own brother.
This book is the first to focus on one half of that couple for more than thirty years, and much new evidence has surfaced since then. Ethel was a bright girl who might have fulfilled her personal dream of becoming an opera singer, but instead found herself struggling with the social mores of the 1950's. She longed to be a good wife and perfect mother, while battling the political paranoia of the McCarthy era, anti-Semitism, misogyny, and a mother who never valued her. Because of her profound love for and loyalty to her husband, she refused to incriminate him, despite government pressure on her to do so. Instead, she courageously faced the death penalty for a crime she hadn't committed, orphaning her children.
Seventy years after her trial, this is the first time Ethel's story has been told with the full use of the dramatic and tragic prison letters she exchanged with her husband, her lawyer and her psychotherapist over a three-year period, two of them in solitary confinement. Hers is the resonant story of what happens when a government motivated by fear tramples on the rights of its citizens.
Джером Черан0.0 On a windy night in 1937, a seventeen-year-old German naval sub-cadet is wandering along the seawall when he stumbles upon a gang of ruffians beating up a tramp, whose life he saves. The man is none other than spymaster Wilhelm Canaris, chief of the Abwehr, German military intelligence. Canaris adopts the young man and dubs him “Cesare” after the character in the silent film The Cabinet of Dr. Caligari for his ability to break through any barrier as he eliminates the Abwehr’s enemies.
Canaris is a man of contradictions who, while serving the regime, seeks to undermine the Nazis and helps Cesare hide Berlin’s Jews from the Gestapo. But the Nazis will lure many to Theresienstadt, a phony paradise in Czechoslovakia with sham restaurants, novelty shops, and bakeries, a cruel ghetto and way station to Auschwitz. When the woman Cesare loves, a member of the Jewish underground, is captured and sent there, Cesare must find a way to rescue her.
Cesare is a literary thriller and a love story born of the horrors of a country whose culture has died, whose history has been warped, and whose soul has disappeared.
Max Gross0.0 What if there was a town that history missed?
For decades, the tiny Jewish shtetl of Kreskol existed in happy isolation, virtually untouched and unchanged. Spared by the Holocaust and the Cold War, its residents enjoyed remarkable peace. It missed out on cars, and electricity, and the internet, and indoor plumbing. But when a marriage dispute spins out of control, the whole town comes crashing into the twenty-first century.
Pesha Lindauer, who has just suffered an ugly, acrimonious divorce, suddenly disappears. A day later, her husband goes after her, setting off a panic among the town elders. They send a woefully unprepared outcast named Yankel Lewinkopf out into the wider world to alert the Polish authorities.
Venturing beyond the remote safety of Kreskol, Yankel is confronted by the beauty and the ravages of the modern-day outside world – and his reception is met with a confusing mix of disbelief, condescension, and unexpected kindness. When the truth eventually surfaces, his story and the existence of Kreskol make headlines nationwide.
Returning Yankel to Kreskol, the Polish government plans to reintegrate the town that time forgot. Yet in doing so, the devious origins of its disappearance come to the light. And what has become of the mystery of Pesha and her former husband? Divided between those embracing change and those clinging to its old world ways, the people of Kreskol will have to find a way to come together . . . or risk their village disappearing for good.
Давид Гроссман4.0 From the internationally best-selling author--and revered moral voice--a remarkable novel of suffering, love, and healing, the story of three generations of women and a secret that needs to be told.
More Than I Love My Life is the story of three strong women: Vera, age ninety; her daughter, Nina; and her granddaughter, Gili, who at thirty-nine is a filmmaker and a wary consumer of affection. A bitter secret divides each mother-and-daughter pair, though Gili--abandoned by Nina when she was just three--has always been close to her grandmother. With Gili making the arrangements, they travel together to Goli Otok, a barren island off the coast of Croatia, where Vera was imprisoned and tortured for three years as a young wife after she refused to betray her husband and denounce him as an enemy of the people. This unlikely journey--filtered through the lens of Gili's camera, as she seeks to make a film that might help explain her life--lays bare the intertwining of fear, love, and mercy, and the complex overlapping demands of romantic and parental passion.
More Than I Love My Life was inspired by the true story of one of David Grossman's longtime confidantes, a woman who, in the early 1950s, was held on the notorious Goli Otok (the Adriatic Alcatraz). With flashbacks to the stalwart Vera protecting what was most precious on the wretched rock where she was held, and Grossman's fearless examination of the human heart, this swift novel will thrill his many readers and bring new ones into the fold.
Эдди Яку4.7 Life can be beautiful if you make it beautiful. It is up to you.
Eddie Jaku always considered himself a German first, a Jew second. He was proud of his country. But all of that changed in November 1938, when he was beaten, arrested and taken to a concentration camp.
Over the next seven years, Eddie faced unimaginable horrors every day, first in Buchenwald, then in Auschwitz, then on a Nazi death march. He lost family, friends, his country.
Because he survived, Eddie made the vow to smile every day. He pays tribute to those who were lost by telling his story, sharing his wisdom and living his best possible life. He now believes he is the 'happiest man on earth'.
Published as Eddie turns 100, this is a powerful, heartbreaking and ultimately hopeful memoir of how happiness can be found even in the darkest of times.
Александр Клюге0.0 Alexander Kluge’s work has long grappled with the Third Reich and its aftermath, and the extermination of the Jews forms its gravitational center. Kluge is forever reminding us to keep our present catastrophes in perspective—“calibrated”—against this historical monstrosity. Kluge’s newest work is a book about bitter fates, both already known and yet to unfold. Above all, it is about the many kinds of organized machinery built to destroy people. These forty-eight stories of justice and injustice are dedicated to the memory of Fritz Bauer, determined fighter for justice and district attorney of Hesse during the Auschwitz Trials. “The moment they come into existence, monstrous crimes have a unique ability,” Bauer once said, “to ensure their own repetition.” Kluge takes heed, and in these pages reminds us of the importance of keeping our powers of observation and memory razor sharp.
Мартин Пачнер0.0 Centuries ago in middle Europe, a coded language appeared, scrawled in graffiti and spoken only by people who were "wiz" (in the know). This hybrid language, dubbed Rotwelsch, facilitated survival for people in flight—whether escaping persecution or just down on their luck. It was a language of the road associated with vagabonds, travelers, Jews, and thieves that blended words from Yiddish, Hebrew, German, Romani, Czech, and other European languages and was rich in expressions for police, jail, or experiencing trouble, such as "being in a pickle." This renegade language unsettled those in power, who responded by trying to stamp it out, none more vehemently than the Nazis.
As a boy, Martin Puchner learned this secret language from his father and uncle. Only as an adult did he discover, through a poisonous 1930s tract on Jewish names buried in the archives of Harvard’s Widener Library, that his own grandfather had been a committed Nazi who despised this "language of thieves." Interweaving family memoir with an adventurous foray into the mysteries of language, Puchner crafts an entirely original narrative. In a language born of migration and survival, he discovers a witty and resourceful spirit of tolerance that remains essential in our volatile present.
Делая свой выбор, судьи охарактеризовали книгу как потрясающее, мощное произведение, «оригинальное и прекрасно написанное». Они хвалили истории за то, что они были собраны в единое целое, но также и за то, что они стоят отдельно — все они противоречат тому, что значит быть евреем.