Джина Беррио0.0 This remarkable collection received the National Book Critics Circle Award, the PEN/Faulkner Award for Fiction, the Rea Award for the Short Story, a gold medal from the Commonwealth Club of California, and the Bay Area Book Reviewers Award. For four decades Gina Berriault has been writing short stories praised for their elegance, compassion, range, and psychological intelligence. Writers from Raymond Carver to Andre Dubus have championed her work, which has been published in magazines from The Paris Review to Harpers Bazaar. Though she has received many fellowships and prizes, she has been too often overlooked.Suddenly, however, this has changed. In 1997, Berriault captured four of this countrys most prestigious awards: The National Book Critics Circle Award, the PEN/Faulkner Award, the Rea Award for the Short Story, and a gold medal from the Commonwealth Club of California. In addition, the book reviewers in her home state of California bestowed upon her the Bay Area Book Reviewers Award. Brigitte Frase, writing for Newsday, seemingly had a premonition when she wrote in December of 1996, Gina Berriault has been writing superbly for [forty] years. Its time she became an overnight sensation.Berriaults deep understanding of human emotions and human predicaments draws us into her stories--a librarian pursued by a homeless man searching for the meaning of his life, a daughter listening to her father as he speaks awkwardly to his heartbroken mistress, a son reintroducing himself to his parents after many years of absence. From her first lines (When Milo Jukovich was 19, he introduced himself to his father) to her last (She heard his breath take over for him and, in that secretive way the sleeper knows nothing about, carry on his life) her narrative sense and her eye for detail astound.She is a writer of uncommon range, her moods sometimes distanced and ironic, other times achingly raw and direct. She has said that she is indebted to the Russians--Chekhov, Gogol, Tolstoy,and Turgenev--for her literary inheritance, but she rejects every way of categorizing her writing. I find my sustenance in the outward, she says, in the wealth of humankind everywhere, and do not wish to be thought of as a Jewish writer or a feminist writer or as a Californian writer or as a leftwing writer or categorized by any interpretation. I find it liberating to roam wherever my heart and my mind guide me.
Henry Roth0.0 Written in the last year of Roth's life, this is the impassioned story of a young man's love affair with literature, and with his teacher. As Ira Stigman turns from his childhood incestuous affairs, he finds himself competing with hisbest friend for the attention of their literature professor. From Bondage is theis the moving culmination of a great writer's life.
Jamaica Kincaid3.0 Powerful, disturbing, stirring, Jamaica Kincaid’s novel is the deeply charged story of a woman’s life on the island of Dominica. Xuela Claudette Richardson, daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.
Kincaid takes us from Xuela’s childhood in a home where she could hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack Labatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela’s is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is “the black room of the world” that is Xuela’s barrenness and motherlessness.
The Autobiography of My Mother is a story of love, fear, loss, and the forging of a character, an account of one woman’s inexorable evolution evoked in startling and magical poetry.
Андре Дубус0.0 From a genuine hero of the American short story comes a luminous collection that reveals the seams of hurt, courage, and tenderness that run through the bedrock of contemporary American life. In these fourteen stories, Dubus depicts ordinary men and women confronting injury and loneliness, the lack of love and the terror of actually having it. Out of his characters' struggles and small failures--and their unexpected moments of redemption--Dubus creates fiction that bears comparison to the short story's greatest creators--Chekhov, Raymond Carver, Flannery O'Connor.
Луис Бегли3.4 С тех пор, как умерла жена Шмидта, не прошло и полугода, и вот их единственная дочь пришла сказать, что выходит замуж. И упорядоченная жизнь пожилого преуспевающего юриста катится под откос: его вынуждают раньше срока уйти на пенсию; выбор Шарлотты
Jonathan Raban0.0 A New York Times Editors' Choice for Book of the Year
Winner of the Pacific Northwest Booksellers Award
Winner of the PEN West Creative Nonfiction Award
"No one has evoked with greater power the marriage of land and sky that gives this country both its beauty and its terror. "
--Washington Post Book World
In 1909 maps still identified eastern Montana as the Great American Desert. But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many of them immigrants--went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive.
In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories. Startlingly observed, beautifully written, this book is a contemporary classic of the American West.
Дэвид Денби0.0 As September rolls around, do you find yourself longing to go back to school despite the fact that you graduated years ago? Would you remember how to read critically? Could you hold your own alongside today's college students? Would you find the Western literary classics culturally relevant and applicable to your life?
At the age of 48, David Denby, film critic for New York magazine and contributing editor of The New Yorker, enrolled in Columbia University to rediscover the masterpieces of the Western tradition. He chronicles his journey in the New York Times bestseller Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World.
What brought Denby back to his alma mater was not a sense of nostalgia, but the current academic debate surrounding Western literature. This culture war centers on the left's denunciation of "dead white European males" as oppressive and exclusionary and the right's reverence of the Western canon as the foundation of traditional values and patriotism. Like many of the extremists engaged in the debate, Denby found his memories of these works faded and forgotten. "I possessed information without knowledge, opinions without principles, instincts without beliefs.... And I wanted to add my words to the debate from the ground up, beginning and ending in literature, never leaving the books themselves."
Thus Denby returns to Columbia for the two "great books" courses: Literature Humanities and Contemporary Civilization. During his yearlong education he explores the difficulties of going back to reading seriously; analyzes today's college students; observes the teaching styles of four professors; and enters into a period of self-discovery as he learns to deal with life as a middle-aged student, father, and husband.
Along the way he gains a new appreciation of writers such as Homer, Boccaccio, Austen, Nietzsche, Conrad, Machiavelli, Marx, and Woolf. He walks away from his experiences believing deeply that students today, more than ever, need this type of humanistic education and that both sides of the culture war are simplifying the Western tradition.
Ричард Клугер0.0 Ashes to Ashes is a monumental history of the American tobacco industry’s ironic success in developing the cigarette, modern society’s most widespread instrument of self-destruction, into the nation’s most profitable consumer product. Starting with its energized, work-obsessed royal families, the Dukes and the Reynoldses, and their embattled successors like the eccentric autocrat George Washington Hill and the feisty Joseph F. Cullman, the book vividly portrays the cigarrettemakers generations of entrepreneurial geniuses. Their problematic achievement was based on cunning business strategies and marketing dazzle, deft political power plays, and a relentless, often devious attack on antismoking forces in science, public health, and government. Enabling the whole process to unfold was the weirdly symbiotic relationship of an industry geared at any cost to sell, sell, sell cigarettes, and an American public habituated to ignore all health warnings and buy, buy, buy.
At the center of this epic is the continuing drama of the Philip Morris Company and the crafty men at its helm. The youngest, once smallest entry in the business, it remained an underdog until the marketing brainstorm that transformed the Marlboro brand from little more than a woman’s fashion accessory to the ultimate emblem of hairy-chested machismo (and made it America’s – and the world’s – #1 smoke). Remarkably, the company’s global prosperity mounted steadily even as the news about cigarettes and health grew more dire by the year.
Caught up in the Philip Morris story is the whole sweep of America’s cigarette history, from the glory days of rampant hucksterism – when smokers would “walk a mile for a Camel,” Winston tasted “good like a cigarette should,” and most of the nation could decipher “L.S. / M.F.T” – to the bombshell 1964 Surgeon General’s Report that definitively indicted smoking as a killer, to the age of the massive mergers that spawned RJR Nabisco and Philip Morris-Kraft General Foods.
Here we learn how the leaf that was the New World’s most passionately devoured gift to the Old grew into humankind’s most dangerous consumer product, employing a vast rural corps of laborers, fattening tax revenues, and propagating a ring of fiercely competitive corporate superpowers; how tobacco’s peerless public-relations spinners applied their techniques to becloud the overwhelming evidence of the cigarette’s lethal and addictive nature; and finally, how the besieged industry and the aroused public-health forces nationwide collided over whether to outlaw the butt habit altogether or bring it into ever more withering social disdain and under ever tighter government control
Bernard Lewis0.0 In a sweeping and vivid survey, renowned historian Bernard Lewis charts the history of the Middle East over the last 2,000 years, from the birth of Christianity through the modern era, focusing on the successive transformations that have shaped it.
Drawing on material from a multitude of sources, including the work of archaeologists and scholars, Lewis chronologically traces the political, economical, social, and cultural development of the Middle East, from Hellenization in antiquity to the impact of westernization on Islamic culture. Meticulously researched, this enlightening narrative explores the patterns of history that have repeated themselves in the Middle East.
From the ancient conflicts to the current geographical and religious disputes between the Arabs and the Israelis, Lewis examines the ability of this region to unite and solve its problems and asks if, in the future, these unresolved conflicts will ultimately lead to the ethnic and cultural factionalism that tore apart the former Yugoslavia.
Elegantly written, scholarly yet accessible, The Middle East is the most comprehensive single volume history of the region ever written from the world’s foremost authority on the Middle East
Дэниэл Джона Голдхаген0.0 This groundbreaking international bestseller lays to rest many myths about the Holocaust: that Germans were ignorant of the mass destruction of Jews, that the killers were all SS men, and that those who slaughtered Jews did so reluctantly. Hitler's Willing Executioners provides conclusive evidence that the extermination of European Jewry engaged the energies and enthusiasm of tens of thousands of ordinary Germans. Goldhagen reconstructs the climate of "eliminationist anti-Semitism" that made Hitler's pursuit of his genocidal goals possible and the radical persecution of the Jews during the 1930s popular. Drawing on a wealth of unused archival materials, principally the testimony of the killers themselves, Goldhagen takes us into the killing fields where Germans voluntarily hunted Jews like animals, tortured them wantonly, and then posed cheerfully for snapshots with their victims. From mobile killing units, to the camps, to the death marches, Goldhagen shows how ordinary Germans, nurtured in a society where Jews were seen as unalterable evil and dangerous, willingly followed their beliefs to their logical conclusion.
Роберт Хасс0.0 Robert Hass demonstrates once again the unmistakable intelligence and original voice that have won him both literary acclaim and the affection of a broad general readership. Here Hass extends and deepens his ongoing explorations of nature and human history, solitude, and the bonds of children, parents, and lovers. Here his passion for apprehending experience with language--for creating experience with language--finds supple form in poems that embrace all that is alive and full of joy. Sun Under Wood is the most impressive collection yet from one of our most accomplished poets.
C.K. Williams0.0 Nominated for the National Book Critics Circle Award
The Vigil, which first appeared in 1997, finds contemporary American master-poet C. K. Williams taking a more reflective and empathetic turn in his work. As Jonathan Aaron wrote in The Boston Globe: "A matchless explorer of the burdens of consciousness, Williams has always written brilliantly about human pain, that which we inflict upon others and upon ourselves, and that which we experience in dreading what we're fated for. In The Vigil Williams affirms the uncanny resiliency of love as solace for pain—what he calls 'these invisible links that allure, these transfigurations even of anguish that hold us' ('The Neighbor'). It is a mystery he has probed before, but never with quite such sympathy and candor."
Jane Shore0.0 Comprised of interwoven narratives, Music Minus One begins in 1950s New Jersey, with Jewish-owned shops along a city avenue, the tensions of the Cold War, and Jane Shore's childhood home above her parents' clothing store. The title of this collection refers to a record album that provides orchestral accompaniment for playing a solo instrument at home. Jane Shore's father played the saxophone with the Big Bands of the thirties and forties and figures prominently in this book. With the more intimate music of family life, the author transfigures the emotional dimensions of her childhood into the experience of her own motherhood, life in Vermont, and a memorable elegy for her mother, Essie.
Мартин Эспада0.0 Combining the personal with the political in his fifth collection, Martín Espada celebrates the bread of the imagination, the bread of the table, and the bread of justice. The heart of the collection is a series of autobiographical poems recalling family, school, neighborhood, and work experiences-from bouncer to tenant lawyer. There are moments of revelation and political transcendence here, which culminate in an elegy for the Puerto Rican poet Clemente Soto Velez, imprisoned for his advocacy of independence for Puerto Rico.
Stephen Dunn0.0 In this tenth collection, Stephen Dunn turns his "wise, well-practiced eye" (Library Journal) on an America growing ever more stringent with its daily mercies. Not content merely to observe the world, Dunn's stance is always dual, complicit. And as he navigates through each paradox of his moral and aesthetic and erotic selves, this poet, described by Sydney Lea as one "who remains open to contradictions," travels to a place of exact and complicated vision.
Уильям Гэсс0.0 William Gass writes about literary language, about history, about the avant-garde, about minimalism's brief vogue, about the use of the present tense in fiction (Is it due to the lack of both a sense of history and a belief in the future?), about biography as a form, about exile - spiritual and geographical - and he examines the relationship of the writer's life to the writer's work. With dazzling intelligence and wit, Gass sifts through cultural issues of our time and contemplates how written language, whether a sentence or an entire book, is a container of consciousness, the gateway to another's mind that we enter for a while and make our own.
Cynthia Ozick0.0 From one of America's great literary figures, a new collection of essays on eminent writers and their work, and on the war between art and life. The perilous intersection of writers' lives with public and private dooms is the fertile subject of many of these remarkable essays from such literary giants as T.S. Eliot, Isaac Babel, Salman Rushdieand Henry James.
Dan Hofstadter0.0 In this marvelously original book, Dan Hofstadter shows how a great treasure of forgotten personal writing—diaries, memoirs, and letters written by George Sand, Anatole France, and Marcel Proust, among others—bears on the erotic lives of the writers, and how the fine French tradition of conducting love affairs developed as an art form. As his subtle analysis makes clear, the love letters exchanged in a series of highly charged liaisons also suggested the themes of celebrated future novels.
Джин Х. Белл-Вильяда0.0 Art for Art’s Sake and Literary Life is a history of literary aestheticism from the eighteenth century to modern deconstruction. Gene H. Bell-Villada examines writings by critics, philosophers, and other writers from Europe, Latin America, and the United States. Uniting all is his conviction that “there are concrete social, economic, political, and cultural reasons for the emergence, growth, diffusion, and triumph of l’art pour l’art over the past two centuries.”
Margaret Anne Doody0.0 Twentieth-century historians and critics defending the novel have emphasized its role as superseding something else, as a sort of legitimate usurper that deposed the Epic, a replacement of myth, or religious narrative. To say that the Age of Early Christianity was really also the Age of the Novel rumples such historical tidiness––but so it was. From the outset of her discussion, Doody rejects the conventional Anglo-Saxon distinction between Romance and Novel. This eighteenth-century distinction, she maintains, served both to keep the foreign––dark-skinned peoples, strange speakers, Muslims, and others––largely out of literature, and to obscure the diverse nature of the novel itself.
This deeply informed and truly comparative work is staggering in its breadth. Doody treats not only recognized classics, but also works of usually unacknowledged subgenres––new readings of novels like The Pickwick Papers, Puddn’head Wilson, L’Assommoir, Death in Venice, and Beloved are accompanied by insights into Death on the Nile or The Wind in the Willows. Non-Western writers like Chinua Achebe and Witi Ihimaera are also included. In her last section, Doody goes on to show that Chinese and Japanese novels, early and late, bear a strong and not incidental affinity to their Western counterparts. Collectively, these readings offer the basis for a serious reassessment of the history and the nature of the novel.
The True Story of the Novel marks the beginning of the twenty-first century’s understanding of fiction and of culture. It is essential reading for anyone with an interest in literature.
Фрэнк МакКорт4.4 Один из величайших романов ХХ века. Книга, которая принесла ее автору Пулитцеровскую премию за 1997 год. "The Times" включил "Прах "Анджелы" в список лучших книг, написанных за период 1949—2009 гг., наряду произведениями Оруэлла, Сэлинджера, Маркеса, Голдинга. Роман был переведен на 17 языков, стал бестселлером в нескольких десятках стран и лег в основу сценария одноименного киношедевра Алана Паркера. Нищета гнала ирландцев через океан в Америку, — и нищета погнала их обратно во времена Великой депрессии. Одними из многих стала семья Маккорт, в 1934 году вернувшаяся в Лимерик. И вот тогда для них начался настоящий ад… Голод. Безработица. Беспробудное пьянство отцов семейств, оставлявших на кабацкой стойке немногие заработанные гроши. Смерть, ставшая частой гостьей в лимерикских трущобах. И тяжкий груз ответственности, который лег на плечи маленького мальчика, поневоле вынужденного стать настоящим главой семьи…
Питер Конн0.0 Pearl Buck was one of the most renowned, interesting, and controversial figures ever to influence American and Chinese cultural and literary history - yet she remains one of the least studied, honored, or remembered. Peter Conn's Pearl S. Buck: A Cultural Biography sets out to reconstruct Buck's life and significance, and to restore this remarkable woman to visibility. Born into a missionary family, Pearl Buck lived the first half of her life in China and was bilingual from childhood. Although she is best known, perhaps, as the prolific author of The Good Earth and as a winner of the Nobel and Pulitzer prizes, Buck in fact led a career that extended well beyond her eighty works of fiction and nonfiction and deep into the public sphere. Passionately committed to the cause of social justice, she was active in the American civil rights and women's rights movements; she also founded the first international adoption agency. She was an outspoken advocate of racial understanding, vital as a cultural ambassador between the United States and China at a time when East and West were at once suspicious and deeply ignorant of each other. In this richly illustrated and meticulously crafted narrative, Conn recounts Buck's life in absorbing detail, tracing the parallel course of American and Chinese history and politics through the nineteenth and twentieth centuries. This "cultural biography" thus offers a dual portrait: of Buck, a figure greater than history cares to remember, and of the era she helped to shape.
Алан Шапиро0.0 The Last Happy Occasion is the coming-of-age story of an American Jew and aspiring writer in the sixties and seventies. In this memoir in six movements, Alan Shapiro recalls how poetry helped him make sense of his own and other people's lives. Events unfold, including his sister's death, that make him reconsider the transformative power of art and accept the limitations of poetry in confronting the untransformable pain of mortal loss.
A refreshingly honest, lovingly crafted work, The Last Happy Occasion is a treasure map for anyone interested in exploring the intersections of life and art.
Nominated for the 1996 National Book Critics Circle Award. "[Shapiro] seeks what lies at the deepest level of the human heart to mitigate his—and our—separateness from others."—Chase Collins, Chicago Tribune Books
"The Last Happy Occasion is touching and intelligent, emotionally satisfying and eloquent testimony to the power of poetry to instruct, heal and inspire."—Emily Barton, New York Times Book Review
"Shapiro, not unlike Auden, doses his wordplay with a certain sly irony. . . . We come away from Shapiro's book with an intimate appreciation of the little subversions that poetry can work in one's life."—Jonathan Kirsch, Los Angeles Times
"He is an acute observer of moments, people, art and language. And he packs even seemingly simple stories with many layers of meaning. . . . He shows us the power and importance of transformative art in life."—Publishers Weekly, starred review
"The literary criticism is sharp, but what enthralls the reader more is Shapiro's humorous but honest perspective on his younger self, a perspective that is critical without being condescending."—Heller McAlpin, Newsday
Ян Сваффорд0.0 Jan Swafford's colorful biography first unfolds in Ives's Connecticut hometown of Danbury, then follows Ives to Yale and on to his years in New York, where he began his double career as composer and insurance executive. The Charles Ives that emerges from Swafford's story is a precocious, well-trained musician, a brilliant if mercurial thinker about art and life, and an experimenter in the spirit of Edison and the Wright brothers.
David Hajdu0.0 A finalist for the National Book Critics Circle Award
Billy Strayhorn (1915-67) was one of the greatest composers in the history of American music, the creator of a body of work that includes such standards as "Take the 'A' Train." Yet all his life Strayhorn was overshadowed by his friend and collaborator Duke Ellington, with whom he worked for three decades as the Ellington Orchestra's ace songwriter and arranger. A "definitive" corrective (USA Today) to decades of patchwork scholarship and journalism about this giant of jazz, David Hajdu's Lush Life is a vibrant and absorbing account of the "lush life" that Strayhorn and other jazz musicians led in Harlem and Paris. While composing some of the most gorgeous American music of the twentieth century, Strayhorn labored under a complex agreement whereby Ellington took the bows for his work. Until his life was tragically cut short by cancer and alcohol abuse, the small, shy composer carried himself with singular style and grace as one of the few jazzmen to be openly homosexual. Lush Life has sparked an enthusiastic revival of interest in Strayhorn's work and is already acknowledged as a jazz classic.
