Чен Цин-вэнь0.0 Here are twelve moving short stories about Taiwan and its people by one of the island's most popular writers, Cheng Ch'ing-wen. Focusing primarily on village life and the effects of modernization on Taiwan in the postwar years, Cheng is one of the most respected of the island's "nativist" writers, yet this is his first book to be translated into English. This anthology represents the best of his fictional efforts across a forty-year span and encompasses his major themes: the tensions between men and women, parents and children, city and village, tradition and modernity. Taken individually, each story presents a moving portrait of paralysis, frustration, or self-realization. Together, they weave a complex tapestry of life in a rapidly changing country.
Cheng Ch'ing-wen's stories tell of men grappling with their fears and frustrations, from "The River Suite," in which a ferryman-championed throughout his small town for twice saving a drowning person-lacks the courage to confess his love to a young woman before she dies, to "Spring Rain," in which a man struggles to come to terms with his seemingly rootless life as both an orphaned child and an infertile husband. Here too are illustrations of the changing place of women in Taiwan, as they take on more powerful roles and awaken to a sense of their own sexuality: a woman forcibly separated from her husband by her jealous mother-in-law walks for hours through the night to see him on his birthday, only to turn back and go straight home before her absence is noticed; a disappointed young female scholar with a deformed hand comes to realize--after many painful rejections--that loneliness is not reason enough to become intimate with a man. And generations clash in "Thunder God's Gonna Getcha," as a mother's cruelty is repaid years later by a son's coldness.
Death reverberates throughout these stories as characters recall deceased spouses, lovers, relatives, and friends in vivid detail. The focus, however, is not on the dead but on the living. In the title story, an old man carves exquisite lame horses as both a penance for having terrorized a town as a police officer during the Japanese occupation of Taiwan in World War II and a memorial to his deceased wife, who was nobler and more courageous than he. This book is a kind of gallery of three-legged horses: portraits of people maimed and transformed-for better or worse-by the suffering that life brings.
Кадзуми Юмото0.0 Tomomi Kiriki feels herself turning into a monster. Her body is changing, and so is her heart. Since the death of her grandmother, this spring threatens to take away the closeness her family once felt, and brings haunting dreams into Tomomi's home.
The house is falling apart. Grandpa keeps old, useless junk around. Tomorm gets headaches that keep her from enjoying the school break until her brilliant little brother, Tetsu, shares with Tomorm his secret life and his terrible plan of revenge for their neighbor. This spring the real and the imaginary have never seemed so close, and Tomorm must struggle to tell the difference.
Чыонг Тран0.0 Poetry. Asian American Studies. This lavishly produced book includes poems by Truong Tran and black-and-white photographs of Vietnam by Chung Hoang Chuong. Tran's work explores the duality of being Vietnamese American and the fragmentation of the self as a result of this dual existence. Chuong, the director of the Vietnamese Ameican Studies Center at San Francisco State University, has added elegant photographs that still perfectly echo Tran's concerns. the other as perceived is language or the loss of other as/ place stranger country beleoved the other when deciphered/ is but the self intently saying in loving you I lose myself. A portion of the proceeds from the book will benefit Huong Viet Community Center.
Эндрю Х. Фам0.0 Catfish and Mandala is the story of an American odyssey—a solo bicycle voyage around the Pacific Rim to Vietnam—made by a young Vietnamese-American man in pursuit of both his adopted homeland and his forsaken fatherland.
Andrew X. Pham was born in Vietnam and raised in California. His father had been a POW of the Vietcong; his family came to America as "boat people." Following the suicide of his sister, Pham quit his job, sold all of his possessions, and embarked on a year-long bicycle journey that took him through the Mexican desert, around a thousand-mile loop from Narita to Kyoto in Japan; and, after five months and 2,357 miles, to Saigon, where he finds "nothing familiar in the bombed-out darkness." In Vietnam, he's taken for Japanese or Korean by his countrymen, except, of course, by his relatives, who doubt that as a Vietnamese he has the stamina to complete his journey ("Only Westerners can do it"); and in the United States he's considered anything but American. A vibrant, picaresque memoir written with narrative flair and an eye-opening sense of adventure, Catfish and Mandala is an unforgettable search for cultural identity.
Riska Orpa Sari0.0 Never before has the Dayak culture been described from the inside, by an indigenous woman born and raised in the rainforest listening to the stories and legends of her tribe, who are famous as the "head- hunters of Borneo." In this vivid memoir - that speaks to readers everywhere about the powerful effects of change - Riska tells us what it means to move in one's lifetime from a rainforest culture to the modern world.
John W. Dower4.5 A history of Japan, this work draws on a range of Japanese sources to offer an analysis of how shattering defeat in World War II, followed by over six years of military occupation by the USA, affected every level of Japanese society - in ways that neither the victor nor the vanquished could anticipate. Here is the history of an extraordinary moment in the history of Japanese culture, when new values warred with old, and when early ideals of "peace and democracy" were soon challenged by the "reverse course" decision to incorporate Japan into the Cold War Pax Americana. The work chronicles not only the material and psychological impact of utter defeat but also the early emergence of dynamic countercultures that gave primacy to the private as opposed to public spheres - in short, a liberation from totalitarian wartime control. John Dower shows how the tangled legacies of this intense, turbulent and unprecedented interplay of conqueror and conquered, West and East, wrought the utterly foreign and strangely familiar Japan of today.
Элизабет Уэйленд Барбер0.0 Some of Ürümchi's mummies date back as far as 4,000 years—contemporary with the famous Egyptian mummies but even more beautifully preserved. Surprisingly, these prehistoric people are not Asian but Caucasoid—tall, large-nosed and blond with thick beards and round eyes. What were these blond Caucasians doing in the heart of Asia? What language did they speak? Might they be related to a "lost tribe" known from later inscriptions? Few clues are offered by their pottery or tools, but their clothes—woolens that rarely survive more than a few centuries—have been preserved as brightly hued as the day they were woven. Elizabeth Wayland Barber describes these remarkable mummies and their clothing, and deduces their path to this remote, forbidding place. The result is a book like no other—a fascinating unveiling of an ancient, exotic, nearly forgotten world. A finalist for the Kiriyama Pacific Rim Book Prize.
