Дафна дю Морье — библиография

Дафна Дю Морье в очередной раз показала себя тонким психологом, отлично разбирающимся в причинах и следствиях человеческих поступков, это отлично видно на примере героя этого рассказа, который вроде как не понимает, почему невзлюбил старую, злополучную яблоню... хотя в самом начале мы читаем, что она напоминала ему его умершую и жутко раздражавшую его супругу.

This collection of five stories explores a variety of different literary approaches to the genre of horror. From a violent spirit brought to life by an old whistle, to a terrifying monster who lives deep under the ground, these stories will terrify and entertain fans of horror everywhere.
Includes stories by Sir Arthur Conan Doyle, M. R. James, W. W. Jacobs, Fritz Leiber and Jane Gardam.

A brand new anthology of previously unpublished and uncollected supernatural mysteries by some of the masters of the Golden Age – thrills, spills and chills perfect for Halloween.
It is said that books are written to bring sunshine into our dull, grey lives – to show us places we want to escape to, lives we want to live, people we want to love. But there are also stories that can only be found in the deepest, darkest corners of the library. Stories about the unexplained, of lost souls, of things that go bump before the silence. Before the screaming.
And some stories just disappear. Stories printed in old newspapers, broadcast live on the wireless, sometimes not even published at all – these are the stories you cannot find on even the dustiest of library shelves.
Ghosts from the Library resurrects forgotten tales of the supernatural by some of the most acclaimed mystery authors of all time. From Arthur Conan Doyle and John Dickson Carr to Agatha Christie and Daphne du Maurier, this spine-chilling anthology brings together thirteen uncollected tales of terror, plus some additional surprises.
Close the windows. Draw the curtains. Just don’t let the lights go out…

'The iron of the bridge felt hot under my hand. The sun had been upon it all day. Gripping hard with my hands I lifted myself on to the bar and gazed down steadily on the water passing under . . . I thought of places I would never see, and women I should never love'
As far as Richard's father, a famous poet, is concerned, his son has no talent as a writer and will never amount to anything. In a moment of crisis, Richard decides to end his life, but is saved by Jake, a passing stranger. The two men, both at turning points in their lives, set out for adventure, jumping aboard a ship to Norway.
Their travels take them through Europe and they form a passionate friendship. But in bohemian Paris Richard meets Hesta, a music student who inspires him to follow his artistic dreams.

In this prescient novel, Daphne du Maurier explores the implications of leaving Europe for a political, economic and military alliance with the United States.
'It is rather awful, Emma thought as she walked across the fields down to the farm, how this business is leading us all into subterfuge and deception, and we can't really tell who is friend and who is enemy . . . '
Emma wakes up one morning to an apocalyptic world. The cosy existence she shares with her grandmother, a famous retired actress, has been shattered: there's no telephone, no radio - and an American warship sits in the harbour.
England has withdrawn from the European Common Market and, on the brink of bankruptcy, has decided that salvation lies in a union - political, military and economic - with the United States. Theoretically it is to be an equal partnership, but it soon begins to look like a takeover bid.
As the two women piece together clues about the 'friendly' military occupation on their doorstep, family, friends and neighbours come together to resist the interlopers.

Mary Farren went into the gun room one morning about half-past eleven, took her husband's revolver and loaded it, then shot herself. The butler heard the sound of the gun from the pantry...
The fourteen haunting stories in this collection span the whole of Daphne du Maurier's writing career and explore every human emotion: an apparently happily married woman commits suicide; a steamer in wartime is rescued by a mysterious sailing-ship; a dull husband breaks loose in a surprising fashion; a con woman plays her game once too often; and a famous novelist looks for romance, only to meet with bitter disappointment. Each meticulously observed tale shows du Maurier's mastery of the genre.

Both a spellbinding love story and a superb evocation of Cornwall's mythic past, Castle Dor is a book with unique and fascinating origins.
It began life as the unfinished last novel of Sir Arthur Quiller-Couch, the celebrated 'Q', and was passed by his daughter to Daphne du Maurier whose storytelling skills were perfectly suited to the task of completing the old master's tale.
The result is this magical, compelling recreation of the legend of Tristan and Iseult, transplanted in time to nineteenth-century Cornwall.
A chance encounter between a Breton onion-seller, Amyot Trestane, and the newly-wed Linnet Lewarne launches their tragic story, taking them in the fateful footsteps of the doomed lovers of Cornish legend . . .

'When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . .'
Maria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts.
Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.

Inspired by a grisly discovery in the nineteenth century, The King's General was the first of du Maurier's novels to be written at Menabilly, the model for Manderley in Rebecca.
Set in the seventeenth century, it tells the story of a country and a family riven by civil war, and features one of fiction's most original heroines. Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone.
As Richard rises through the ranks of the army, marries and makes enemies, Honor remains true to him, and finally discovers the secret of Menabilly.

'I want to know if men realise when they are insane. Sometimes I think that my brain cannot hold together, it is filled with too much horror - too much despair . . . I cannot sleep, I cannot close my eyes without seeing his damned face. If only it had been a dream.'
In 'The Doll', a waterlogged notebook is washed ashore. Its pages tell a dark story of obsession and jealousy. But the fate of its narrator is a mystery.
Most of the stories in this haunting collection were written early in Daphne du Maurier's career - when she was still in her early twenties - yet they display her mastery of atmosphere, tension and intrigue and reveal a
cynicism far beyond her years.

'The apathy of Sunday lay upon the streets. Houses were closed, withdrawn.
"They don't know," he thought, "those people inside, how one gesture of mine, now, at this minute, might alter their world. A knock on the door, and someone answers - a woman yawning, an old man in carpet slippers, a child sent by its parents in irritation; and according to what I will, what I decide, their whole future will be decided . . . Sudden murder. Theft. Fire." It was as simple as that.'
In this collection of suspenseful tales in which fantasies, murderous dreams and half-forgotten worlds are exposed, Daphne du Maurier explores the boundaries of reality and imagination. Her characters are caught at those moments when the delicate link between reason and emotion has been stretched to the breaking point. Often chilling, sometimes poignant, these stories display the full range of Daphne du Maurier's considerable talent.

When her mother dies, Mary Yellan goes to live with her aunt and uncle at Jamaica Inn. Strange things happen there at night, and Mary slowly discovers that she and her aunt are in terrible danger.
Can she save herself and her aunt before it is too late?