Джон Апдайк — библиография

"Кролик, беги" - первый роман тетралогии о Гарри Энгстроме по прозвищу Кролик, своеобразного opus magnus Апдайка, над которым он с перерывами работал тридцать лет. История "бунта среднего американца". Гарри отнюдь не интеллектуал, не нонконформист, не ниспровергатель основ. Просто сама реальность его повседневной жизни такова, что в нем подспудно, незаметно зреют семена недовольства, которым однажды предстоит превратиться в "гроздья гнева". Протест, несомненно, обречен. Однако даже обреченность на неудачу для Кролика предпочтительнее бездействия...

When the three witches - now old, remarried and widowed - decide to go back to Eastwick to spend a summer together, many things have changed. Darryl Van Horne is gone. Their husbands and lovers have gone. The lithe and supple bodies with which they wrecked marriages and wreaked havoc many years before have gone - and have been replaced with the quiet aches and encumbrances of age. But a chemistry still crackles between the three and magic still lingers in the Eastwick air, and soon it becomes clear that there are those around them who remember them, and wish them ill.
The Widows of Eastwick takes the mischief and enchantment of The Witches of Eastwick and reshapes it in a new emotional landscape, resulting in a sensitive study of the passing of youth and a darkly funny novel that shines with luminous sexual reminiscences and satirical observations about modern America.

It's 1969, and the times are changing. America is about to land a man on the moon, the Vietnamese war is in full swing, and racial tension is on the rise. Things just aren't as simple as they used to be - at least, not for Rabbit Angstrom. His wife has left him with his teenage son, his job is under threat and his mother is dying. Suddenly, into his confused life - and home - comes Jill, an eighteen-year-old runaway who becomes his lover. But when she invites her friend to stay, a young black radical named Skeeter, the pair's fragile harmony soon begins to fail ...

It's 1989, and Harry 'Rabbit' Angstrom is far from restful. Fifty-six and overweight, he has a struggling business on his hands and a heart that is starting to fail. His family, too, are giving him cause for concern. His son Nelson is a wreck of a man, a cocaine addict with shattered self-respect. Janice, his wife, has decided that she wants to be a working girl. And as for Pru, his daughter-in-law, she seems to be sending out signals to Rabbit that he knows he should ignore, but somehow can't. He has to make the most of life, after all. He doesn't have much time left ...

It's 1979 and Rabbit is no longer running. He's walking, and beginning to get out of breath. That's OK, though - it gives him the chance to enjoy the wealth that comes with middle age. It's all in place: he's Chief Sales Representative and co-owner of Springer motors; his wife, at home or in the club, is keeping trim; he wears good suits, and the cash is pouring in. So why is it that he finds it so hard to accept the way that things have turned out? And why, when he looks at his family, is he haunted by regrets about all those lives he'll never live?

Henry Bech, the celebrated author of Travel Light, has been scrutinized, canonized and vilified by critics and readers across the world. Here, the experiences of this bemused literary icon, one of Updike's greatest creations, are described in hilarious detail, as he travels the world struggling to break his writer's block; returns to his native America to find new success with Think Big, his all-time blockbuster; and visits communist Czechoslovakia, where he is greeted by a dizzyingly adoring public. Brilliantly comic and deeply poignant, The Complete Henry Bech is one of the greatest of all explorations of the writing life and of what happens when an writer becomes a literary celebrity.

The first book in his award-winning 'Rabbit' series, John Updike's Rabbit, Run contains an afterword by the author in Penguin Modern Classics.
It's 1959 and Harry 'Rabbit' Angstrom, one time high school sports superstar, is going nowhere. At twenty-six he is trapped in a second-rate existence - stuck with a fragile, alcoholic wife, a house full of overflowing ashtrays and discarded glasses, a young son and a futile job. With no way to fix things, he resolves to flee from his family and his home in Pennsylvania, beginning a thousand-mile journey that he hopes will free him from his mediocre life. Because, as he knows only too well, 'after you've been first-rate at something, no matter what, it kind of takes the kick out of being second-rate'.
John Updike (1932-2009) was born in Shillington, Pennsylvania. He graduated from Harvard College in 1954, and spent a year at Oxford, England, at the Ruskin School of Drawing and Fine Art. From 1955 to 1957 he was a member of staff at The New Yorker. Updike was the author of twenty-one novels as well as numerous collections of short stories, poems and criticism, and is one of only three authors to win more than one Pulitzer Prize. His most famous works are the Harry 'Rabbit' Angstrom series, all of which are published in Penguin Modern Classics: Rabbit, Run (1960), Rabbit Redux (1971), Rabbit is Rich (1981) and Rabbit at Rest (1990).

Tristao Raposo, a nineteen-year old black child of the Rio slums, spies Isabel Leme, an eighteen-year-old upper-class white girl, across the hot sands of Copacabana Neach, and presents her with a ring. Their flight into marriage takes them from urban banality to the farthest reaches of Brazil's wild west...

An intoxicating yet sensitive novel about the sexual experiences of ten couples from Tarbox, New England. Well-to-do, sociable, articulate but dangerously unfulfilled; they play word games in the evening and adultery all year round.

In his extraordinary and highly charged new novel, John Updike tackles one of America's most burning issues – the threat of Islamist terror from within. Set in contemporary New Jersey, Terrorist traces the journey of one young man, from radicalism to fundamentalism to terrorism, against the backdrop of a fraying urban landscape and an increasingly fragmented community. In beautiful prose, Updike dramatizes the logic of the fundamentalist terrorist – but also suggests ways in which we can counter it, in our words and our actions . . .

The air of Eastwick breeds witches - women whose powerful longings can stir up thunderstorms and fracture domestic peace. Jane, Alexandra and Sukie, divorced and dangerous, have formed a coven. Into the void of Eastwick breezes Darryl Van Horne, a charismatic magus of a man who entrances the trio, luring them to his mansions...

Gathering together almost all the short fiction that John Updike published between 1953 and 1975, this collection opens with Updike's autobiographical stories about a young boy growing up during the Depression in a small Pennsylvania town. There follows tales of life away from home, student days, early marriage and young families, and finally Updike's experimental stories on 'The Single Life'. Here, then, is a rich and satisfying feast of Updike - his wit, his easy mastery of language, his genius for recalling the subtleties of ordinary life and the excitements, and perils, of the pursuit of happiness.

These eighteen classic stories from across John Updike’s career form a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published a story, ‘Snowing in Greenwich Village’, about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding and losing moments of romantic rapport, and facing the heartbreak of infidelity and estrangement. Now these stories appear in a single volume in hardcover for the first time, with the addition of a later story ‘Grandparenting’, which returns us to the Maples long after their wrenching divorce. Together, The Maples Stories offers a nuanced portrait of a flawed marriage between two sympathetic, well-intentioned practitioners of twentieth-century family life.

John Updike was a master storyteller, and this collection, from his final years, reveals that up to the end he remained the finest short-story writer of his generation.
'Magnificent, exhilarating, crisply evocative, rippling with irony. Updike's genius can be seen on peak form. With this book, a talent that burnt brightly goes out in a blaze of brilliance' Sunday Times
'A haunting valedictory alive with characteristic preoccupations: small-town life; "domestic duplicity"; travel; aging rituals; and the transience of existence. This is a collection filled with nuanced observations, descriptive flair and sentences that stop you in your tracks' Metro

Sally is big, blonde and pampered. She’s married to Richard. But she loves Jerry. Jerry loves Sally in return, but he’s also still in love with his wife Ruth. Who’s been sleeping with Richard … As a hot, feverish summer of snatched weekends, secret phone calls and illicit lovemaking on the beach comes to a head, it turns out everyone knows more than they’ve been letting on. And that no one knows quite when to stop.

Updike's seventh novel concerns a month of seven days, a month of enforced rest and recreation as experienced by the Reverend Tom Marshfield, sent west from his Midwestern church in disgrace.

From his birth in 1923 to his belated paternity and public apotheosis as a spry septuagenarian in 1999, Bech plugs away, globetrotting in the company of foreign dignitaries one day and schlepping in tattered tweeds on the college lecture circuit the next. By turns cynical and naпve, wry and avuncular, and always amorous, he is Updike's most endearing confection-a Lothario, a curmudgeon, and a winsome literary icon all in one. A perfect forum for Updike's limber prose, The Complete Henry Bech is an arch portrait of the literary life in America from an incomparable American writer.
Since tales of his exploits began appearing in The New Yorker more than thirty years ago, Henry Bech, John Updike's playfully irreverent alter-ego, has charmed readers with his aesthetic dithering and his seemingly inexhaustible libido.

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