Новинки Джейсона

Le Chemin de Saint-Jacques est une ancienne route de pèlerinage de 800 km en direction de Saint-Jacques-de-Compostelle. Des milliers de personnes la parcourent chaque année, aussi bien chrétiens que non-croyants. Jason a eu cinquante ans l'année dernière et il a décidé de la parcourir durant trente-deux jours. Le livre oscille entre introspection et tentatives timides pour parler aux autres. L'humour scandinave fait mouche.

Джейсон (Йон Арне Сетерёй) - норвежский автор комиксов. Уже много лет он живёт во Франции и пишет на французском языке. Его произведения неоднократно получали различные премии, в том числе норвежскую литературную премию Браге и американскую премию Айснера в номинации "Лучший зарубежный комикс". В 2005 году Джейсону исполнилось 50 лет и он отправился в путешествие по паломническому маршруту длиной 800 километров, который ведёт к испанскому городу Сантьяго-де-Компостела. Каждый год его посещают тысячи людей - как христиан, так и неверующих. В течение 32 дней Джейсон шагает по дорогам и тропам Северной Испании, пытаясь преодолеть склонность…

ЧТО, ЕСЛИ БЫ мы жили в мире, где «наёмный убийца» — это законная и обычная профессия, как доктор или адвокат? ЧТО, ЕСЛИ БЫ учёный нанял такого убийцу на самое потрясающее задание в его карьере… отправиться назад во времени и убить Адольфа Гитлера до того, как он стал злым диктатором? А ЧТО, ЕСЛИ БЫ Гитлеру удалось пережить покушение, проникнуть в машину времени и попасть в XXI век… оставив будущего убийцу одного на 70 лет? Если вы думаете, что знаете ответы на эти вопросы… то ошибаетесь. И вы обязательно должны прочитать «Я убил Адольфа Гитлера», шедевр с серьёзной миной от Джейсона.

The long-awaited autobiography of one of Britain’s best-loved actors, and the star of Only Fools and Horses. Born the son of a Billingsgate market porter at the height of the Second World War, David Jason spent his early life dodging bombs and bullies, both with impish good timing. Giving up on an unloved career as an electrician, he turned his attention to acting and soon, through a natural talent for making people laugh, found himself working with the leading lights of British comedy in the 1960s and '70s: Eric Idle, Michael Palin, Bob Monkhouse and Ronnie Barker. Barker would become a mentor to David, leading to hugely successful stints in Porridge and Open All Hours. It wasn’t until 1981, kitted out with a sheepskin jacket, a flat cap, and a clapped-out Reliant Regal, that David found the part that would capture the nation’s hearts: the beloved Derek ‘Del Boy’ Trotter in Only Fools and Horses. Never a one-trick pony, he had an award-winning spell as TV’s favourite detective Jack Frost, took a country jaunt as Pop Larkin in the Darling Buds of May, and even voiced a crime-fighting cartoon rodent in the much-loved children’s show Danger Mouse. But life hasn't all been so easy: from missing out on a key role in Dad’s Army to nearly drowning in a freak diving accident, David has had his fair share of ups and downs, and has lost some of his nearest and dearest along the way. David’s is a touching, funny and warm-hearted story, which charts the course of his incredible five decades at the top of the entertainment business. He's been a shopkeeper and a detective inspector, a crime-fighter and a market trader, and he ain't finished yet. As Del Boy would say, it's all cushty.

National Book Awards Autobiography of the Year 2013 The long-awaited autobiography of one of Britain’s best-loved actors. Born the son of a Billingsgate market porter at the height of the Second World War, David Jason spent his early life dodging bombs and bullies, both with impish good timing. Giving up on an unloved career as an electrician, he turned his attention to acting and soon, through a natural talent for making people laugh, found himself working with the leading lights of British comedy in the 1960s and '70s: Eric Idle, Michael Palin, Bob Monkhouse and Ronnie Barker. Barker would become a mentor to David, leading to hugely successful stints in Porridge and Open All Hours. It wasn’t until 1981, kitted out with a sheepskin jacket, a flat cap, and a clapped-out Reliant Regal, that David found the part that would capture the nation’s hearts: the beloved Derek ‘Del Boy’ Trotter in Only Fools and Horses. Never a one-trick pony, he had an award-winning spell as TV’s favourite detective Jack Frost, took a country jaunt as Pop Larkin in the Darling Buds of May, and even voiced a crime-fighting cartoon rodent in the much-loved children’s show Danger Mouse. But life hasn't all been so easy: from missing out on a key role in Dad’s Army to nearly drowning in a freak diving accident, David has had his fair share of ups and downs, and has lost some of his nearest and dearest along the way. David’s is a touching, funny and warm-hearted story, which charts the course of his incredible five decades at the top of the entertainment business. He's been a shopkeeper and a detective inspector, a crime-fighter and a market trader, and he ain't finished yet. As Del Boy would say, it's all cushty.

David Jason: My Life, now available as an unabridged audiobook.

National Book Awards Autobiography of the Year 2013.

Born the son of a Billingsgate market porter at the height of the Second World War, David Jason spent his early life dodging bombs and bullies, both with impish good timing. Giving up on an unloved career as an electrician, he turned his attention to acting and soon, through a natural talent for making people laugh, found himself working with the leading lights of British comedy in the 1960s and '70s: Eric Idle, Michael Palin, Bob Monkhouse and Ronnie Barker. Barker would become a mentor to David, leading to hugely successful stints in Porridge and Open All Hours.

It wasn’t until 1981, kitted out with a sheepskin jacket, a flat cap, and a clapped-out Reliant Regal, that David found the part that would capture the nation’s hearts: the beloved Derek ‘Del Boy’ Trotter in Only Fools and Horses. Never a one-trick pony, he had an award-winning spell as TV’s favourite detective Jack Frost, took a country jaunt as Pop Larkin in the Darling Buds of May, and even voiced a crime-fighting cartoon rodent in the much-loved children’s show Danger Mouse.

But life hasn't all been so easy: from missing out on a key role in Dad’s Army to nearly drowning in a freak diving accident, David has had his fair share of ups and downs, and has lost some of his nearest and dearest along the way.

David’s is a touching, funny and warm-hearted story, which charts the course of his incredible five decades at the top of the entertainment business. He's been a shopkeeper and a detective inspector, a crime-fighter and a market trader, and he ain't finished yet. As Del Boy would say, it's all cushty.

The introduction to the David Jason audiobook is narrated by David himself.

Jason returns with a full-length, full-colour graphic novella - his first since his 2008 Eisner-Award winning The Last Musketeer. Sven, a semi-aimless Scandinavian artist, who has ended up in Montpellier, enjoys noctural raids in other people's homes - disguised as a werewolf. But he hasn't taken into account the existence of real Montpellier-based werewolves who do not take kindly to this new pretender. So while Sven wiles away his time, little does he realise that a genuine threat to his life and, for that matter, his humanity.

The acclaimed graphic novelist Jason returns with his most eagerly awaited book yet, thanks to the inclusion of the title story, the world’s first (and likely last) chess western, originally serialized in 2008 in the New York Times Sunday Magazine “Funny Pages” section.

This 216-page hardcover book features five yarns—all brand new with the exception of the aforementioned “Low Moon,” which is collected into book form for the first time.

The new stories lead off with “Emily Says Hello,” a typically deadpan Jason tale of murder, revenge and sexual domination. Then, the wordless “” tells two tales at once: one about a skinny guy trying to steal enough money to save his ill mother, and the other about a fat guy murderously trying to woo his true love. The reason we follow these two parallel stories becomes obvious only on the very last page, in Jason’s inimitable genre-mashing style.

“Early Film Noir” can best be described as The Postman Always Rings Twice meets Groundhog Day. But starring cavemen. And finally, “You Are Here” features alien kidnappings, space travel, and the pain and confusion of family ties, culminating in an enigmatic finale that rivals Jason’s greatest twists.

Funny, poignant, and wry, Low Moon shows one of the world’s most acclaimed graphic novelists at the absolute peak of his powers.

After a couple of downright chatty full-color books (Why Are You Doing This? and The Left Bank Gang) the Norwegian cartoonist Jason returns, for his ninth Fantagraphics graphic novel, to his two-tone mute roots with The Living and the Dead, a George A. Romero-esque zombie comedy that he intends to be the middle installment of his "horror trilogy" begun with the Frankenstein monster love triangle of You Can't Get There From Here. Jason's elegant deadpan style somehow manages to make the gruesome gore and splatter effects almost... charming — and yes, it is a sweet love story at heart. If you read only one book in which a zombie devours a baby this year (even Romero never quite summoned up the nerve for that), read this one!

In this full-color graphic novel, Jason posits a strange, violent world in which contract killers can be hired to rub out pests, be they dysfunctional relatives, abusive co-workers, loud neighbors, or just annoyances in general — and as you might imagine, their services are in heavy demand. One such killer is given the unique job of traveling back in time to kill Adolf Hitler in 1939... but things go spectacularly wrong. Hitler overpowers the would-be assassin and sends himself to the present, leaving the killer stranded in the past. The killer eventually finds his way back to the present by simply waiting the decades out as he ages, and teams up with his now much-younger girlfriend to track down the missing fascist dictator... at which point the book veers further into Jason territory, as the cartoonist's minimalist, wickedly dry sense of humor slows down the story to a crawl: for long patches absolutely nothing happens, but nobody can make nothing happening as riotously entertaining as Jason does... and finally, when the reader isn't paying attention, he brings it together with a shocking, perfectly logical and yet completely unexpected climax which also solves a mystery from the very beginning of the book the reader had forgotten about. As always, I Killed Adolf Hitler is rendered in Jason's crisp deadpan neo-clear-line style, once again augmented by lovely, understated coloring.

1920s Paris: Birthplace of the graphic novel?! F. Scott Fitzgerald, Ernest Hemingway, Ezra Pound, and James Joyce walk into a Parisian bar... no, it's not the beginning of a joke, but the premise of Jason's unique new graphic novel.

Imagine a long-forgotten, never-produced Alfred Hitchcock "wrong man" thriller screenplay discovered, adapted and filmed by a modern minimalist like Jim Jarmusch and you'll have some idea of the unique flavor of Jason's latest graphic novel. The protagonist, a moody twenty-something wallowing in depression after a breakup with his long-time girlfriend, finds himself drawn into a paranoid's worst nightmare after his best friend is murdered and the blame is pinned on him. With the help of a single mother who spontaneously throws in her lot with him (not to mention her precocious daughter), he sets out to clear his name. Soon new relationships…

A full-color existential thriller from the creator of Hey, Wait... Imagine a long-forgotten, never-produced Alfred Hitchcock "wrong man" thriller screenplay discovered, adapted and filmed by a modern minimalist like Jim Jarmusch and

Exactly three quarters of a century ago, Agatha Christie stunned the mystery-novel world with The Murder of Roger Ackroyd, an Hercule Poirot novel whose final twist was greeted as either a brilliant trick or an appalling cheat. (More recent films and novels such as The Usual Suspects, Angel Heart, and Fight Club have used variations, but none has bettered the original.) As it happens, a Norwegian mystery writer who signed his work Stein Riverton beat Dame Agatha Christie to the punch by about 20 years, using exactly the same trick in his 1908 novel The Iron Wagon. An evocative murder mystery set in the Norwegian countryside, it, like all good murder mysteries, is a stew of passion, buried past crimes, revelations, and sharply defined characters who remain ambiguous to the very end. This novel has never been translated into English. Now, using a striking two-color drawing style and re-casting the story with his iconic animal characters from his previous graphic novel Sshhhh!, the acclaimed Norwegian cartoonist Jason has adapted The Iron Wagon into an original graphic novel that will appeal not only to fans of his work but also to mystery fans who will finally have a chance to experience Riverton's clever story. Surprisingly, this turn-of-the-century mystery thriller dovetails neatly with the concerns and obsessions of Jason's other comics (including the landmark Hey, Wait..., called the second best comic of 2001 by Time.com), and becomes a case of two wildly disparate craftsmen separated by a century merging their sensibilities for a unique work.