Фрэнсис Стонор Сондерс0.0 Ten years ago, Frances Stonor Saunders was handed an old suitcase filled with her father's papers. 'If you open that suitcase you'll never close it again,' warned her mother. Her father's life had been a study in borders - exiled from Romania during the war, to Turkey then Egypt and eventually Britain, and ultimately to the borderless territory of Alzheimer's. The unopened suitcase seems to represent everything that had made her father unknowable to her in life. Now she finds herself with the dilemma of two competing urges: wanting to know what's in the suitcase, and wanting not to know.
So begins this captivating exploration of history, memory and geography, as Frances Stonor Saunders unpicks her father's and his family's past. Is it possible to bring her father back, to summon once more someone who was distant and elusive when alive? The past is always the history of loss, of black holes, of things gone missing. Life is a long forgetting, even as we live it. The Suitcase is an extraordinary, heroic effort of retrieval, driven by the ache for completion. It is about the silences and stories that protect us, and the borders we construct, literally and figuratively, to fortify our sense of who we are.
Клэр Уилкокс0.0 A linen sheet, smooth with age. A box of buttons, mother-of-pearl and plastic, metal and glass, rattling and untethered. A hundred-year-old pin, forgotten in a hem. Fragile silks and fugitive dyes, fans and crinolines, and the faint mark on leather from a buckle now lost. Claire Wilcox has worked as a curator in Fashion at the Victoria & Albert Museum for most of her working life. Down cool, dark corridors and in quiet store rooms, she and her colleagues care for, catalogue and conserve clothes centuries old, the inscrutable remnants of lives long lost to history; the commonplace or remarkable things that survive the bodies they once encircled or adorned. In Patch Work, Wilcox deftly stitches together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in luminous prose the spellbinding power of the things we wear: their stories, their secrets, their power to transform and disguise and acts as portals to our pasts; the ways in which they measure out our lives, our gains and losses, and the ways we use them to write our stories.
Элисон Лайт0.0 A luminous memoir of love and grief from the author of Common People
Alison Light met the radical social historian, Raphael Samuel, in London in 1986. Twenty years her senior, Raphael was a charismatic figure on the British Left, utterly driven by his work and by a commitment to collective politics. Within a year they were married. Within ten, Raphael would be dead.
Theirs was an attraction of opposites - he from a Jewish Communist family with its roots in Russia and Eastern Europe, she from the English working class. In this chronicle of a passionate marriage, Alison Light peels back the layers of their time together, its intimacies and its estrangements.
She tells of moving into Raphael's cluttered 18th-century house in Spitalfields and into his equally full, unconventional life; of the whirlwind of change outside their door which brutally transformed London's old East End districts; of being widowed at 41, and finding inspiration in her friendship with Raphael's mother. Finally she reflects on the power of mourning and how it shapes a life.
Through its frank and touching account of a marriage between two very different people, it celebrates the capacity we all have to share our lives and to change our selves.
Ирса Дейли-Уорд4.0 From the poet behind bone, a lyrical memoir—part prose, part verse—about coming-of-age, uncovering the cruelty and the beauty of the wider world, and redemption through self-discovery and the bonds of family
“My little brother and I saw a unicorn in the garden in the late nineties.
I’m telling you. Neither one of us made it up; it was as real as anything else.”
The Terrible, Yrsa Daley-Ward’s brave, raw, lyrical memoir that captures the surreal magic and incredible discomfort of adolescence, burgeoning sexuality, rootlessness, and connection.
Through emotional snapshots that span from her adolescence through her early twenties, each brought to life in Yrsa’s signature style of open white spaces and stirring, singular lines, The Terrible evokes the pain and thrill of girlhood, as well as what it means to discover the fear and power that come with being a woman. With a sharp eye and a rare talent for mining the beauty and the sorrow in the everyday, Yrsa recounts her remarkable life: growing up as one of the only black children in a poor, white, working class town; navigating the extreme Christianity of her family; inquiring after her paternity; moving through phases of addiction and sexual encounters; and ultimately finding her place in her family and in life.
Richard Beard0.0 A family story of exceptional power and universal relevance - about loss, about carrying on, and about recovering a brother's life and death.
Life changes in an instant.
On a family summer holiday in Cornwall in 1978, Nicholas and his brother Richard are jumping in the waves. Suddenly, Nicholas is out of his depth. He isn’t, and then he is. He drowns.
Richard and his other brothers don’t attend the funeral, and incredibly the family return immediately to the same cottage – to complete the holiday, to carry on. They soon stop speaking of the catastrophe. Their epic act of collective denial writes Nicky out of the family memory.
Nearly forty years later, Richard Beard is haunted by the missing grief of his childhood but doesn’t know the date of the accident or the name of the beach. So he sets out on a pain-staking investigation to rebuild Nicky’s life, and ultimately to recreate the precise events on the day of the accident. Who was Nicky? Why did the family react as they did? And what actually happened?
The Day That Went Missing is a heart-rending story as intensely personal as any tragedy and as universal as loss. It is about how we make sense of what is gone. Most of all, it is an unforgettable act of recovery for a brother.
Эми Липтрот3.5 When Amy Liptrot returns to Orkney after more than a decade away, she is drawn back to the Outrun on the sheep farm where she grew up. Approaching the land that was once home, memories of her childhood merge with the recent events that have set her on this journey.
Amy was shaped by the cycle of the seasons, birth and death on the farm, and her father’s mental illness, which were as much a part of her childhood as the wild, carefree existence on Orkney. But as she grew up, she longed to leave this remote life. She moved to London and found herself in a hedonistic cycle. Unable to control her drinking, alcohol gradually took over. Now thirty, she finds herself washed up back home on Orkney, standing unstable at the cliff edge, trying to come to terms with what happened to her in London.
Spending early mornings swimming in the bracingly cold sea, the days tracking Orkney’s wildlife—puffins nesting on sea stacks, arctic terns swooping close enough to feel their wings—and nights searching the sky for the Merry Dancers, Amy slowly makes the journey toward recovery from addiction.
The Outrun is a beautiful, inspiring book about living on the edge, about the pull between island and city, and about the ability of the sea, the land, the wind, and the moon to restore life and renew hope.
A Guardian Best Nonfiction Book of 2016
Sunday Times Top Ten Bestseller
New Statesman Book of the Year
Элис Джолли0.0 The world of dead babies is a silent and shuttered place. You do not know it exists until you find yourself there.
When Alice Jolly's second child was stillborn and all subsequent attempts to have another baby failed, she began to consider every possible option, no matter how unorthodox.
Dead Babies and Seaside Towns is a savagely personal account of the search for an alternative way to create a family. As she battles through miscarriage, IVF and failed adoption attempts, Alice's only solace from the pain is the faded charm of Britain's crumbling seaside towns. Finally, this search leads her and her husband to a small town in Minnesota, and two remarkable women who offer to make the impossible possible.
In this beautiful book, shot through with humour and full of hope, Alice Jolly describes with a novelist's skill events that woman live through every day – even if many feel compelled to keep them hidden. Her decision not to hide but to share them, without a trace of sentiment or self-pity, turns Dead Babies and Seaside Towns into a universal story: one that begins in tragedy but ends in joy.
Генри Марш4.5 Совершая ошибки или сталкиваясь с чужими, мы успокаиваем себя фразой "Человеку свойственно ошибаться". Но утешает ли она того, кто стал жертвой чужой некомпетентности? И утешает ли она врача, который не смог помочь?
Нам хочется верить, что врач непогрешим на своем рабочем месте. В операционной всемогущ, никогда не устает и не чувствует себя плохо, не раздражается и не отвлекается на посторонние мысли. Но каково это на самом деле — быть нейрохирургом? Каково знать, что от твоих действий зависит не только жизнь пациента, но и его личность — способность мыслить и творить, грустить и радоваться?
Рано или поздно каждый нейрохирург неизбежно задается этими вопросами, ведь любая операция связана с огромным риском. Генри Марш, всемирно известный британский нейрохирург, раздумывал над ними на протяжении всей карьеры, и итогом его размышлений стала захватывающая, предельно откровенная и пронзительная книга, главную идею которой можно уложить в два коротких слова: "не навреди".
Сонали Дераниягала0.0 On the morning of December 26, 2004, on the southern coast of Sri Lanka, Sonali Deraniyagala lost her parents, her husband, and her two young sons in the tsunami she miraculously survived. In this brave and searingly frank memoir, she describes those first horrifying moments and her long journey since. She has written an engrossing, unsentimental, beautifully poised account: as she struggles through the first months following the tragedy, furiously clenched against a reality that she cannot face and cannot deny; and then, over the ensuing years, as she emerges reluctantly, slowly allowing her memory to take her back through the rich and joyous life she’s mourning, from her family’s home in London, to the birth of her children, to the year she met her English husband at Cambridge, to her childhood in Colombo; all the while learning the difficult balance between the almost unbearable reminders of her loss and the need to keep her family, somehow, still alive within her.
Ричард Холлоуэй0.0 The acclaimed writer, respected thinker and outspoken former bishop Richard Holloway recounts a life defined by the biggest questions: Who am I? And what is God? At fourteen, Richard Holloway left his home in the Vale of Leven, north of Glasgow, and travelled hundreds of miles to be educated and trained for the priesthood by a religious order in an English monastery. By twenty-five he had been ordained and was working in the slums of Glasgow. Throughout the following forty years, Richard touched the lives of many people in the Church and in the wider community. But behind his confident public face lay a restless, unquiet heart and a constantly searching mind. Why is the Church, which claims to be the instrument of God's love, so prone to cruelty and condemnation? And how can a man live with the tension between public faith and private doubt? In his long-awaited memoir, Richard seeks to answer these questions and to explain how, after many crises of faith, he finally and painfully left the Church. It is a wise, poetic and fiercely honest book.
Misfits0.0 Duncan Fallowell sets out to odd corners of the world in pursuit of some extraordinary and improbable characters who were in most cases momentarily famous—or infamous—and then simply disappeared. The first to disappear is the author himself—to a ghostly hotel on a Mediterranean island. His subjects, though unmet or hardly met, live for the reader with remarkable vividness, such as the German artist who bought a large island in the Hebrides and vanished immediately afterward, to the astonishment of its inhabitants. Fallowell tracks down the recluse who inspired Evelyn Waugh's creation Sebastian Flyte, the legendary love object of Waugh's novel Brideshead Revisited, who wants both to forget the past and to cling to it. He even pursues the ultimate disappearance—the death of Princess Diana—and the miasma of shock, wonder, and grief that followed, writing "Mystification is absolutely essential to our feeling of being alive."
In these highly original adventures, How to Disappear winds through the eerie abyss that can open up between someone—or something—being both real and phantom.
Michael Frayn0.0 'An unknown place.' This was what Michael Frayn's children called the shadowy landscape of the past from which their family had emerged. In this book he sets out to rediscover that lost land before all trace of it finally disappears beyond recall. As he tries to see it through the eyes his parents and the others who shaped his life, he comes to realise how little he ever knew or understood about them.
This is above all the story of his father, the quick-witted boy from a poor and struggling family, who overcame so many disadvantages and shouldered so many burdens to make a go of his life; who found happiness, had it snatched away from him in a single instant, and in the end, after many difficulties, perhaps found it again.
Father and son were in some odd ways ridiculously alike, in others ridiculously different; and the journey back down the corridors of time is sometimes comic, sometimes painful, as Michael Frayn comes to see how much he has inherited from his father - and makes one or two surprising discoveries about both of them along the way . .
Габриель Уэстон0.0 In this memoir, Gabriel Weston reveals the emotions, passions, and doubts normally hidden behind a surgeon's mask. At Weston's side, we learn what it's like to stand in an operating room holding someone's neck open for seven hours, what happens when the line between the personal and the professional begins to blur, and about the shame of watching a patient die. Interweaving her own story with those of her patients, old and young.
Джулия Блэкберн0.0 This is the story of three people: Julia Blackburn; her father, Thomas; and her mother, Rosalie. Thomas was a poet and an alcoholic who for many years was addicted to barbiturates, which would often make him violent. Rosalie, a painter, was sociable and flirtatious; she treated Julia as her sister, her confidante, and eventually as her deadly sexual rival. After Juliaâ€s parents divorced, her mother took in lodgers, always men, on the understanding that each would become her lover. When one of the lodgers started an affair with Julia, Rosalie was devastated; when he later committed suicide, the relationship between mother and daughter was shattered irrevocable.
Or so it seems until the spring of 1999, when Rosalie, diagnosed with leukemia, came to live with Julia for the last month of her life. At last the spell was broken, and they were able to talk with an ease they had never known before. When she was very near the end, Rosalie said to Julia, “Now you will be able to write about me, wonâ€t you?â€
The Three of Us is a memoir like no other you have read. The writing is magical, and the story is extraordinary, not only for its honest but also for its humor and its lack of blame. Ultimately, this is a tale of redemption, a love story. It will surely become one of the classics of that genre.
Miranda Seymour0.0 A biography and family memoir by turns hilarious and heart-wrenching, Miranda Seymour's Thrumpton Hall is a riveting, frequently shocking, and ultimately unforgettable true story of the devastating consequences of obsessive desire and misplaced love.
"Dear Thrumpton, how I miss you tonight." When twenty-one-year-old George Seymour wrote these words in 1944, the object of his affection was not a young woman but the beautiful country house in Nottinghamshire that he desired above all else. Miranda Seymour would later be raised at Thrumpton Hall—her upbringing far from idyllic, as life revolved around her father's odd capriciousness. The house took priority over everything, even his family—until the day when George Seymour, in his golden years, began dressing in black leather and riding powerful motorbikes around the countryside in the company of surprising friends.
For fans of Downton Abbey—the show’s creator, Julian Fellowes, called it “brilliant, original, and intensely readable”—Thrumpton Hall is a poignant and memorable true story of family.
Брайан Томпсон0.0 Keeping Mum Mum and Dad - Squibs and Bert - were a complete mystery to Brian Thompson as he grew up in Cambridge and London during the 1940s. His mother danced with the Yanks all night and slept under a fake fur coat all day, and when his father bothered to come home he resolutely discouraged Brian in everything. Full description
Alan Bennett5.0 This is a collection of Alan Bennett's prose. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Also included are essays, reviews, lectures and reminiscences. "Untold Stories" is Alan Bennett's first collection of prose since "Writing Home" and takes in all his major writings over the last ten years. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Also included are his much celebrated diaries for the years 1996 to 2004, as well as essays, reviews, lectures and reminiscences ranging from childhood trips to the local cinema and a tour around Leeds Art Gallery to reflections on writing, honours and his Westminster Abbey eulogy for Thora Hird. At times heartrending and at others extremely funny, "Untold Stories" is a matchless and unforgettable anthology.
Брайан Маги0.0 Hoxton today is one of the most fashionable parts of inner London, yet before the Blitz, it was the capital's most notorious slum area. It was London's busiest market for stolen goods, the centre of the pickpocket trade, home to a razor gang that terrorised racecourses all over southern England. Its main thoroughfare, Hoxton Street, was known also as the roughest street in Britain.
But among the people born there in its heyday was Bryan Magee, journalist, academic, philosopher, radio and television broadcaster and Member of Parliament. For him it was home, for his first nine years, until he became an evacuee on the outbreak of war. In this moving and beautifully written book he recalls the vanished world of his childhood and brings it to life again in all its drama and surprise.
Дженни Диски0.0 Using two cross-country trips on Amtrak as her narrative vehicles, British writer Jenny Diski connects the humming rails, taking her into the heart of America with the track-like scars leading back to her own past. As in the highly acclaimed Skating to Antarctica, Diski has created a seamless and seemingly effortless amalgam of reflections and revelation in a unique combination of travelogue and memoir.
Майкл Фосс0.0 Born in India in 1937, Michael Foss's childhood was spent between the cold, grey austerity of Britain under threat, and the brightly lit and teeming vitality of wartime India. Here, beautifully evoked, is a childhood spent amongst grudging and unloving English relations; a sufferance of cruelly harsh schooling, a bleak, dank landscape; and a sense of permanent cold and a savage hunger even for dreadful food. All of this was suddenly changed for the sub-continent's jumble of conflicting sights and sounds and smells: the vital, stinking, hot, noisy, crowded streets; the calm, quiet grace of moghul architecture; the ancient Hindu kingdoms reduced to stones amid the roots of trees; the monumental Victorian buildings that echoed British power; the attitudes of the Raj; the self-conscious majesty and pomp. The British, the author notes, lived on but not in India. "Our rules for living were not their rules," he writes in this wry, affectionate reflection on a childhood spent between two continents, two civilizations, two versions of history.
Lorna Sage3.5 Blood trickles down through every generation, seeps into every marriage. An international bestseller and winner of the Whitbread Biography Award, Bad Blood is a tragicomic memoir of one woman’s escape from a claustrophobic childhood in post–World War II Britain and the story of three generations of a family—its triumphs and its darkest secrets.
With wit and a dose of self-deprecating humor, Sage’s prose brings to life in vivid detail a period—the 1940s and 1950s—that continues to influence and shape society in the twenty-first century. As a portrait of a family and a young girl’s place in it, Bad Blood is unsurpassed.
Mark Frankland0.0 Modest and thought-provoking, this book looks at a past world through the window of the author's experience. An Englishman from an eccentric background, Mark Frankland was recruited as a spy, but eventually became a journalist. He describes such things as Moscow under Kruschev and Vietnam.
Маргарет Форстер0.0 A brilliant follow-up to Hidden Lives, Margaret Forster's most personal book yet takes up the story of her gritty, northern father, Arthur, intertwined with that of her sister-in-law, Marion, who died of cancer at almost half the age of the 96 year-old Arthur.
Margaret Forster's father was not a man to answer questions - least of all questions about life and death, so she attempts to answer them for herself. As Forster looks back at Arthur's life and indomitable character, she evokes incidents from her childhood, his working life and stubborn old age, trying to make sense of their largely unspoken relationship, and of his tenacious hold on life, and on his family.
Arthur and Marion's lives were ordinary, and apparently unremarkable, but, when faced with death, lives like these become strangely precious.
Katrin FitzHerbert0.0 This is the story of three generations of women and their struggle for survival and integrity as individuals in times divided by war. Curiously mirroring her English grandmother, who married a German hairdresser in London and was expelled to Germany after World War I, Katrin Fitzherbert was born in Germany in 1936 and lived under Hitler's regime until, at the age of 11, she was suddenly repatriated to an England she had never known. There she had to forget her German father and the German language.
