Аманда Лори — новинки

Erica Marsden’s son, an artist, has been imprisoned for a monstrous act of revenge. Trapped in her grief, Erica retreats from Sydney to a sleepy hamlet on the south coast, near where Daniel is serving his sentence.

There, in a rundown shack by the ocean, she obsesses over building a labyrinth. To create it—to navigate the path through her quandary—Erica will need the help of strangers. And that will require her to trust, and to reckon with her past.

The Labyrinth is a story of guilt and denial, of the fraught relationship between parents and children. It is also an examination of how art can be ruthlessly destructive, and restorative. Mesmerising yet disquieting, it shows Amanda Lohrey to be at the peak of her powers.

“I woke with a gasp. And lay in the dark, open-mouthed, holding my breath. That feeling ... that feeling was indescribable. For a moment I had felt as if I were falling ... falling into bliss.”

All his life, Richard Kline has been haunted by a sense that something is lacking. He envies the ease with which some people slip – seemingly unquestioningly – into contented suburban life or the pursuit of wealth.

As he moves into middle age, Richard grows increasingly angry. But then a strange event awakens him to a different way of living. He finds himself on a quest, almost against his own will, to resolve the 'divine discontent' he has suffered since childhood. From pharmaceuticals to new age therapies and finding a guru, Richard's journey dramatises the search for meaning in today's world.

This moving and audacious novel is a pilgrim's progress for the here and now. Suffused with yearning and a sense of the mystical, this extraordinary novel is one of Lohrey's finest offerings yet.

From the Hillsong Church to the Family First Party, Australia appears to be experiencing an evangelical revival.

In Voting for Jesus, Amanda Lohrey investigates that revival – its shape and scope, and what it means for the mainstream churches and the nation's politics. She talks to young believers and analyses the machinations of the Christian Right. She discusses, with humour and insight, the appeal of the megachurch, the changing image of Jesus and the political theories of George Pell and Peter Jensen.

Voting for Jesus is also an essay about the use and abuse of religion in party politics. Examining the success of Family First, Lohrey argues that Christians in politics have far less influence than they would like – the government uses them when convenient and otherwise disregards them. Blending individual interviews with political argument, she makes a subtle case for the blessings of secularism and the variety of spiritual encounters it makes possible.

After too many nights of take-away pizzas Narita wants just one year off to look after her daughter, Camille. Then she meets Stephen, a public servant in the complex process of reinventing himself, training as a shiatsu masseur. As their relationship grows, so does the drama of parenting Camille, in this elegantly crafted warmly appealing novel of contemporary Australian life.