Пол Марк Скотт – лучшие книги

Tusker and Lily Smalley stayed on in India. Given the chance to return 'home' when Tusker, once a Colonel in the British Army, retired, they chose instead to remain in the small hill town of Pangkot, with its eccentric inhabitants and archaic rituals left over from the days of the Empire. Only the tyranny of their landlady, the imposing Mrs Bhoolabhoy, threatens to…

Действие романа известного английского прозаика происходит в Индии в 40-е годы XX в. Социально-политическая атмосфера тех лет раскрывается на примере судеб многих людей - индийцев и англичан. Идейный пафос произведения - бескомпромиссное осуждение британского колониального владычества, его пагубной роли в истории Индии.

The Raj Quartet, Paul Scott’s epic study of British India in its final years, has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence from Britain.

The first novel, The Jewel in the Crown, describes the doomed love between an English girl and an Indian boy, Daphne Manners and Hari Kumar. This affair touches the lives of other characters in three subsequent volumes, most of them unknown to Hari and Daphne but involved in the larger social and political conflicts which destroy the lovers. In The Day of the Scorpion, Ronald Merrick, a sadistic policeman who arrested and prosecuted Hari, insinuates himself into an aristocratic British family as World War II escalates.

On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author’s capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.

Four novels covering the period between the Quit India riots of 1942 and the massacres that accompanied independence and partition in 1947 provide insight into the closing years of British rule in India

The Raj Quartet, Paul Scott’s epic study of British India in its final years, has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence from Britain.

In The Towers of Silence, Barbie Batchelor, a British missionary and schoolteacher, befriends a British family and witnesses the trial of Hari Kumar, an Indian man accused of assaulting his beloved Daphne Manners, while observing the dangerously cruel Captain Ronald Merrick, Hari’s nemesis. In A Division of the Spoils, the chaos of the departure of the British and the fervor of Partition wreaks havoc upon the twilight of the Raj — and the end of a era.

On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author’s capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.

India, August 9th 1942. The morning brings raids and the arrest by British police of Congress Party members. Amongst the prisoners is the distinguished ex-Chief Minister Mohammed Ali Kasim. Loyal to the party's central vision of a unified free India, his incarceration is a symptom of the growing deterioration of Anglo-Indian relations.
For the long-serving British family, the Laytons, the political and social ramifications are immediate, disturbing and tragic. Some, like Ronald Merrick, believe that true intimacy between the races is impossible; others, such as Sarah Layton, struggle to come to terms with their Anglo-Indian past. With growing confusion and bewilderment, the British are forced to confront the violent and often brutal years that lie ahead of them.

The third title in Paul Scott's masterpiece, The Raj Quartet, dramatised by Radio 4
It is the last, bitter days of World War II and the British Raj in India is crumbling. Ensconced in the Indian Hill Station of Pankot are the English wives, mothers, daughters and widows of the officers embroiled in the ongoing conflict. With their old beliefs and assumptions under increasingly virulent attack, all eyes are upon Captain Merrick and the British military to protect them in this troubled time. But Merrick, though outwardly a consummate professional, is brutal and corrupt, and not even his machinations can stop the change that is swiftly and inevitably approaching, change which is increasingly undermining the old myth of British invincibility...

India 1942: everything is in flux. World War II has shown that the British are not invincible and the self-rule lobby is gaining many supporters. Against this background, Daphne Manners, a young English girl, is brutally raped in the Bibighat Gardens. The racism, brutality and hatred launched upon the head of her young Indian lover echo the dreadful violence perpetrated on Daphne and reveal the desperate state of Anglo-Indian relations.
The rift that will eventually prise India - the jewel in the Imperial Crown - from colonial rule is beginning to gape wide.