Тони Харрисон — новинки

A revised edition of Tony Harrison's award-winning Selected Poems This indispensable new selection of Tony Harrison's poems includes over sixty poems from his famous sonnet sequence The School of Eloquence and the remarkable long poem 'v.', a meditation in a vandalized Leeds graveyard which caused enormous controversy when it was broadcast on Channel 4 in 1987 and is now regarded as one of the key poems of the late twentieth century. This substantially revised and updated edition now also features a generous selection of Harrison's most recent work, including the acclaimed poems he wrote for the Guardian on the Gulf War and then from the front line in the Bosnian War which won him the Wilfred Owen Award for Poetry in 2007. Selected Poems is a collection to be savoured by fans of Carol Ann Duffy, Seamus Heaney, Simon Armitage and Sophie Hannah. 'A voracious appetite for language. Brilliant, passionate, outrageous, abrasive, but also, as in the family sonnets, immeasurably tender' Harold Pinter 'In the front rank of contemporary British poets. Harrison's range is exhilarating, his clarity and technical mastery a sharp pleasure' Melvyn Bragg 'The poem "v." is the most outstanding social poem of the last twenty-five years. Seldom has a British poem of such personal intensity had such universal range' Martin Booth 'Poems written in a style which I feel I have all my life been waiting for' Stephen Spender 'A poet of great technical accomplishment whose work insists that it is speech rather than page-bound silence' Sean O'Brien, The Oxford Companion to Twentieth-Century Poetry

Introduction by Bernard O'Donaghue.
Bold, contemporary verse adaptations of the medieval Mystery Plays by England's greatest modern theatrical poet.

This first collection of Tony Harrison's poetry for the stage compiles his masterly adaptations of various medieval mystery plays. Rendered in highly alliterative verse, Harrison's plays are, as were their medieval counterparts, intended to make colloquial Northern English language and form a vehicle for the profound religious texts that describe the biblical epic of salvation. Original documents from the Middle Ages are the basis for Harrison's three-part cycle: The Nativity encompasses Creation, The Expulsion, The Flood, Abraham and Isaac, and The Birth of Christ; The Passion covers The Life and Crucifixion of Christ; and Doomsday takes in The Harrowing of Hell and The Last Judgment. Traditionally, mystery plays were acted and produced by the trade guilds, and Harrison recalls this in his use of props: a forklift transports God, a screwdriver serves as Christ's scepter, and a manhole cover is the mouth of Hell.

Drawing on pre-Renaissance English religious, linguistic, and theatrical tradition, these plays are part of a movement to celebrate English literature as it existed before the widespread cultural influence of continental Europe. In addition, this volume contains an Introduction that places these classic works in the context both of their medieval origins and of Harrison's own poetry.