Вручение 2002 г.

Страна: США Место проведения: город Нью-Йорк, Городская публичная библиотека Дата проведения: 2002 г.

Премия «Молодые львы»

Лауреат
Colson Whitehead 4.0
In a glowing review of Colson Whitehead's first novel, The Intuitionist, the" New York Times Book Review "concluded, "Literary reputations may not always rise and fall as predictably as elevators, but if there's any justice in the world of fiction, Colson Whitehead's should be heading toward the upper floors." With John Henry Days, Colson Whitehead delivers on the promise of his critically acclaimed debut in a magnificent new novel: a retelling of the legend of John Henry that sweeps across generations and cultures in a stunning, hilarious, and unsettling portrait of American society.
Immortalized in folk ballads, John Henry has been a favorite American hero since the mid-nineteenth century. According to legend, John Henry, a black laborer for the Chesapeake & Ohio Railroad, was a man of superhuman strength and stamina. He proved his mettle in a contest with a steam drill, only to die of exhaustion moments after his triumph.
In John Henry Days, Colson Whitehead transforms the simple ballad into a contrapuntal masterpiece. The narrative revolves around the story of J. Sutter, a young black journalist. Sutter is a "junketeer," a freeloading hack who roams from one publicity event to another, abusing his expense account and mooching as much as possible. It is 1996, and an assignment for a travel Web site takes Sutter to West Virginia for the first annual "John Henry Days" festival, a celebration of a new U.S. postal stamp honoring John Henry. And there the real story of John Henry emerges in graceful counterpoint to Sutter's thoroughly modern adventure.
As he explores the parallels between the lives of these two black men, and between the Industrial Age, which literally killedJohn Henry, and the Digital Age that is destroying J. Sutter's soul, Whitehead adds multiple dimensions to the myth of the steel-driving man. And in dazzling set pieces, he traces the evolution of the famous ballad over the past century. John Henry Days" "is a novel of extraordinary scope and mythic power that juxtaposes history and popular culture, the blatant bigotry of the past with the more insidious racism of the present, and laugh-out-loud humor with unforgettable poignancy.
David Czuchlewski 0.0
"An ingeniously plotted postmodernist mystery. . . . David Czuchlewski writes with imagination, vision, and style."--Joyce Carol Oates

Who is Horace Jacob Little, and what is he trying to hide?

Legend has is that not even his agent had met him, that they communicated via post office box. Horace Jacob Little had insisted on blank covers for all his books. . . . No one knew what he looked like or where he lived. . . . I used to imagine him: a death-row inmate, a mild-mannered accountant, a disfigured cripple. . . .

He was none of these, as it turned out, nothing my imagination could conjure.

Andrew Wallace, recent Princeton graduate and troubled genius, spends his days in the Overlook Psychiatric Institute--the Muse Asylum--writing about a dark conspiracy against him engineered by the elusive author Horace Jacob Little. When fellow classmate Jake Burnett, a novice reporter, arrives on the hospital grounds to visit Andrew, he learns that Andrew's problems run much deeper than simple paranoia and obsession.

Along with Lara Knowles, the girl they both love, they try to break through the shadows of the enigmatic Horace Jacob Little. Instead, they find themselves caught in a twisted game of reflections and reversals, where each seems to be pursuing the other--for love, for success, or for a far more sinister purpose.

"[A] cleverly devised, sharply composed, entertaining and moving novel."--The Wall Street Journal
Аллегра Гудман 0.0
Allegra Goodman has delighted readers with her critically acclaimed collections Total Immersion and The Family Markowitz, and her celebrated first novel, Kaaterskill Falls, which was a national bestseller and a National Book Award finalist.

Abandoned by her folk-dancing partner, Gary, in a Honolulu hotel room, Sharon realizes she could return to Boston—and her estranged family—or listen to that little voice inside herself. The voice that asks: “How come Gary got to pursue his causes, while all I got to pursue was him?” Thus, with an open heart, a soul on fire, and her meager possessions (a guitar, two Indian gauze skirts, a macramé bikini, and her grandfather’s silver watch) Sharon begins her own spiritual quest. Ever the optimist, she is sure at each stage that she has struck it rich “spiritually speaking”—until she comes up empty. Then, in a karmic convergence of events, Sharon starts on the path home to Judaism. Still, even as she embraces her tradition, Sharon’s irrepressible self tugs at her sleeve. Especially when she meets Mikhail, falls truly in love at last, and discovers what even she could not imagine—her destiny.
Питер Орнер 0.0
Peter Orner explores the impact of life’s essential moments, those brief but far-reaching occasions that haunt his characters. The discovery of a crime, a theatrical performance in a small town, or the recollection of a cruel wartime decision are equally affecting in Orner’s vivid scenarios. Esther Stories is divided into four distinct parts, each with its own momentum. The first half of the book concerns the lives of unrelated strangers, and the second introduces two Jewish families, one on the East Coast, the other in the Midwest.
These stories cover considerable geographic ground — from Nova Scotia to Mississippi, from Fall River, Massachusetts, to Chicago — but the real territory is emotional. As the narrator of the title story tries to piece together his late aunt Esther’s life from the fragments of stories told about her, he remembers what she told him in a dark kitchen when he was a child: “You pay for everything. When you think you’re getting something for free — remember this — you’ll pay later.” All thirty-two wide-ranging pieces — funny or sorrowful, urban or rural, simple or innovative — are welcome additions to the art of the story.
Brady Udall 0.0
With the inventive acuity of John Irving, this riveting picaresque novel chronicles the hopes and heartbreaks of Edgar Presley Mint.

Half Apache and mostly orphaned, Edgar's trials begin on an Arizona reservation at the age of seven, when the mailman's jeep accidentally runs over his head. Shunted from the hospital to a school for delinquents to a Mormon foster family, comedy, pain, and trouble accompany Edgar through a string of larger-than-life experiences. Through it all, readers will root for this irresistible innocent who never truly loses heart, and whose quest for the mailman leads him to an unexpected home.