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Премия Плутарха
Дженнифер Хоманс 0.0
Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century--The New York Times called him "the Shakespeare of dancing." His radical approach to choreography--and life--reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine's tumultuous and high-pitched life story and into the making of his extraordinary dances.

Balanchine's life intersected with some of the biggest historical events of his century. Born in Russia under the last czar, Balanchine experienced the upheavals of World War I, the Russian Revolution, exile, World War II, and the Cold War. A co-founder of the New York City Ballet, he pressed ballet in America to the forefront of modernism and made it a popular art. None of this was easy, and we see his loneliness and failures, his five marriages--all to dancers--and many loves. We follow his bouts of ill health and spiritual crises, and learn of his profound musical skills and sensibility and his immense determination to make some of the most glorious, strange, and beautiful dances ever to grace the modern stage.

With full access to Balanchine's papers and many of his dancers, Jennifer Homans, the dance critic for The New Yorker and a former dancer herself, has spent more than a decade researching Balanchine's life and times to write a vast history of the twentieth century through the lens of one of its greatest artists: the definitive biography of the man his dancers called Mr. B.
Премия Плутарха
Фрэнсис Уилсон 0.0
An electrifying, revelatory new biography of D. H. Lawrence, with a focus on his difficult middle years



"Never trust the teller," wrote D. H. Lawrence, "trust the tale." Everyone who knew him told stories about Lawrence, and Lawrence told stories about everyone he knew. He also told stories about himself, again and again: a pioneer of autofiction, no writer before Lawrence had made so permeable the border between life and literature. In Burning Man: The Trials of D. H. Lawrence, acclaimed biographer Frances Wilson tells a new story about the author, focusing on his decade of superhuman writing and travel between 1915, when The Rainbow was suppressed following an obscenity trial, and 1925, when he was diagnosed with tuberculosis.

Taking after Lawrence's own literary model, Dante, and adopting the structure of The Divine Comedy, Burning Man is a distinctly Lawrentian book, one that pursues Lawrence around the globe and reflects his life of wild allegory. Eschewing the confines of traditional biography, it offers a triptych of lesser-known episodes drawn from lesser-known sources, including tales of Lawrence as told by his friends in letters, memoirs, and diaries. Focusing on three turning points in Lawrence's pilgrimage (his crises in Cornwall, Italy, and New Mexico) and three central adversaries--his wife, Frieda; the writer Maurice Magnus; and his patron, Mabel Dodge Luhan--Wilson uncovers a lesser-known Lawrence, both as a writer and as a man.

Strikingly original, superbly researched, and always revelatory, Burning Man is a marvel of iconoclastic biography. With flair and focus, Wilson unleashes a distinct perspective on one of history's most beloved and infamous writers.
Премия Плутарха
Э. Н. Уилсон 0.0
A lively and insightful biographical celebration of the imaginative genius of Charles Dickens, published in commemoration of the 150th anniversary of his death.

Charles Dickens was a superb public performer, a great orator and one of the most famous of the Eminent Victorians. Slight of build, with a frenzied, hyper-energetic personality, Dickens looked much older than his fifty-eight years when he died—an occasion marked by a crowded funeral at Westminster Abbey, despite his waking wishes for a small affair. Experiencing the worst and best of life during the Victorian Age, Dickens was not merely the conduit through whom some of the most beloved characters in literature came into the world. He was one of them.

Filled with the twists, pathos, and unusual characters that sprang from this novelist’s extraordinary imagination, The Mystery of Charles Dickens looks back from the legendary writer’s death to recall the key events in his life. In doing so, he seeks to understand Dickens’ creative genius and enduring popularity. Following his life from cradle to grave, it becomes clear that Dickens’s fiction drew from his life—a fact he acknowledged. Like Oliver Twist, Dickens suffered a wretched childhood, then grew up to become not only a respectable gentleman but an artist of prodigious popularity. Dickens knew firsthand the poverty and pain his characters endured, including the scandal of a failed marriage.

Going beyond standard narrative biography, A. N. Wilson brilliantly revisits the wellspring of Dickens’s vast and wild imagination, to reveal at long last why his novels captured the hearts of nineteenth century readers—and why they continue to resonate today.

The Mystery of Charles Dickens is illustrated with 30 black-and-white images.
Премия Плутарха
Соня Пернелл 4.1
In 1942, the Gestapo sent out an urgent transmission: "She is the most dangerous of all Allied spies. We must find and destroy her."

The target in their sights was Virginia Hall, a Baltimore socialite who talked her way into Special Operations Executive, the spy organization dubbed Winston Churchill's "Ministry of Ungentlemanly Warfare." She became the first Allied woman deployed behind enemy lines and--despite her prosthetic leg--helped to light the flame of the French Resistance, revolutionizing secret warfare as we know it.

Virginia established vast spy networks throughout France, called weapons and explosives down from the skies, and became a linchpin for the Resistance. Even as her face covered wanted posters and a bounty was placed on her head, Virginia refused order after order to evacuate. She finally escaped through a death-defying hike over the Pyrenees into Spain, her cover blown. But she plunged back in, adamant that she had more lives to save, and led a victorious guerilla campaign, liberating swathes of France from the Nazis after D-Day.

Based on new and extensive research, Sonia Purnell has for the first time uncovered the full secret life of Virginia Hall--an astounding and inspiring story of heroism, spycraft, resistance, and personal triumph over shocking adversity.
Премия Плутарха
Дэвид Уильям Блайт 1.0
As a young man, Frederick Douglass (1818–1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. His very existence gave the lie to slave owners: with dignity and great intelligence he bore witness to the brutality of slavery.

Initially mentored by William Lloyd Garrison, Douglass spoke widely, using his own story to condemn slavery. By the Civil War, Douglass had become the most famed and widely travelled orator in the nation. In his unique and eloquent voice, written and spoken, Douglass was a fierce critic of the United States as well as a radical patriot. After the war he sometimes argued politically with younger African Americans, but he never forsook either the Republican party or the cause of black civil and political rights.

In this biography, David Blight has drawn on new information held in a private collection that few other historian have consulted, as well as recently discovered issues of Douglass’s newspapers.
Премия Плутарха
Кэролайн Фрейзер 0.0
The first comprehensive historical biography of Laura Ingalls Wilder, the beloved author of the Little House on the Prairie books

One of The New York Times Book Review's 10 Best Books of the Year

Millions of readers of Little House on the Prairie believe they know Laura Ingalls—the pioneer girl who survived blizzards and near-starvation on the Great Plains, and the woman who wrote the famous autobiographical books. But the true saga of her life has never been fully told. Now, drawing on unpublished manuscripts, letters, diaries, and land and financial records, Caroline Fraser—the editor of the Library of America edition of the Little House series—masterfully fills in the gaps in Wilder’s biography. Revealing the grown-up story behind the most influential childhood epic of pioneer life, she also chronicles Wilder's tumultuous relationship with her journalist daughter, Rose Wilder Lane, setting the record straight regarding charges of ghostwriting that have swirled around the books.

The Little House books, for all the hardships they describe, are paeans to the pioneer spirit, portraying it as triumphant against all odds. But Wilder’s real life was harder and grittier than that, a story of relentless struggle, rootlessness, and poverty. It was only in her sixties, after losing nearly everything in the Great Depression, that she turned to children’s books, recasting her hardscrabble childhood as a celebratory vision of homesteading—and achieving fame and fortune in the process, in one of the most astonishing rags-to-riches episodes in American letters.

Spanning nearly a century of epochal change, from the Indian Wars to the Dust Bowl, Wilder’s dramatic life provides a unique perspective on American history and our national mythology of self-reliance. With fresh insights and new discoveries, Prairie Fires reveals the complex woman whose classic stories grip us to this day.
Премия Плутарха
Руфь Франклин 4.7
Still known to millions primarily as the author of the The Lottery, Shirley Jackson (1916–1965) has been curiously absent from the mainstream American literary canon. A genius of literary suspense and psychological horror, Jackson plumbed the cultural anxiety of postwar America more deeply than anyone. Now, biographer Ruth Franklin reveals the tumultuous life and inner darkness of the author of such classics as The Haunting of Hill House and We Have Always Lived in the Castle.

Placing Jackson within an American Gothic tradition that stretches back to Hawthorne and Poe, Franklin demonstrates how her unique contribution to this genre came from her focus on "domestic horror." Almost two decades before The Feminine Mystique ignited the women’s movement, Jackson’ stories and nonfiction chronicles were already exploring the exploitation and the desperate isolation of women, particularly married women, in American society. Franklin’s portrait of Jackson gives us “a way of reading Jackson and her work that threads her into the weave of the world of words, as a writer and as a woman, rather than excludes her as an anomaly” (Neil Gaiman).

The increasingly prescient Jackson emerges as a ferociously talented, determined, and prodigiously creative writer in a time when it was unusual for a woman to have both a family and a profession. A mother of four and the wife of the prominent New Yorker critic and academic Stanley Edgar Hyman, Jackson lived a seemingly bucolic life in the New England town of North Bennington, Vermont. Yet, much like her stories, which channeled the occult while exploring the claustrophobia of marriage and motherhood, Jackson’s creative ascent was haunted by a darker side. As her career progressed, her marriage became more tenuous, her anxiety mounted, and she became addicted to amphetamines and tranquilizers. In sobering detail, Franklin insightfully examines the effects of Jackson’s California upbringing, in the shadow of a hypercritical mother, on her relationship with her husband, juxtaposing Hyman’s infidelities, domineering behavior, and professional jealousy with his unerring admiration for Jackson’s fiction, which he was convinced was among the most brilliant he had ever encountered.

Based on a wealth of previously undiscovered correspondence and dozens of new interviews, Shirley Jackson—an exploration of astonishing talent shaped by a damaging childhood and turbulent marriage—becomes the definitive biography of a generational avatar and an American literary giant.
Премия Плутарха
Розмари Салливан 4.6
История Аллилуевой Светланы Иосифовны, невозвращенки, прожившая всю жизнь в тени своего отца - Иосифа Сталина. Юные годы она провела в стенах Кремля. После смерти отца, она не могла больше молчать и удивила весь мир - попросив убежища у США и отказавшись от гражданства СССР, оставив двух детей и всех друзей.
Премия Плутарха
Гермиона Ли 0.0
Penelope Fitzgerald (1916–2000) was a great English writer, who would never have described herself in such grand terms. Her novels were short, spare masterpieces, self-concealing, oblique and subtle. She won the Booker Prize for her novel Offshore in 1979, and her last work, The Blue Flower, was acclaimed as a work of genius. The early novels drew on her own experiences – a boat on the Thames in the 1960s; the BBC in war time; a failing bookshop in Suffolk; an eccentric stage-school. The later ones opened out to encompass historical worlds which, magically, she seemed to possess entirely: Russia before the Revolution; post-war Italy; Germany in the time of the Romantic writer Novalis.

Fitzgerald’s life is as various and as cryptic as her fiction. It spans most of the twentieth century, and moves from a Bishop’s Palace to a sinking barge, from a demanding intellectual family to hardship and poverty, from a life of teaching and obscurity to a blaze of renown. She was first published at sixty and became famous at eighty. This is a story of lateness, patience and persistence: a private form of heroism.

Loved and admired, and increasingly recognised as one of the outstanding novelists of her time, she remains, also, mysterious and intriguing. She liked to mislead people with a good imitation of an absent-minded old lady, but under that scatty front were a steel-sharp brain and an imagination of wonderful reach. This brilliant account – by a biographer whom Fitzgerald herself admired – pursues her life, her writing, and her secret self, with fascinated interest.
Премия Плутарха
Линда Ливелл 0.0
Winner of the PEN/Jacqueline Bograd Weld Award for biography and of the Plutarch Award for the Best Biography of 2013. National Book Critics Circle Award Finalist. To readers who know Marianne Moore as a demure baseball fan and courtly Brooklyn eccentric, Linda Leavell’s _Holding On Upside Down_—the first authorized biography of this major American poet—will come as a shock. This mesmerizing, essential new book will change forever how we view the woman and her poetry. Drawing on previously untapped depths in the Moore family archives, _Holding On Upside Down_ reveals a passionate, canny young woman caught between genuine devotion to her hovering mother, with whom she lived for sixty years, and her own irrepressible desire for freedom. The radically original verse she wrote in the early twentieth century baffled her family at the same time it both confounded and dazzled her literary peers. Her many poems about survival, it turns out, are not just quirky nature studies but acts of survival themselves. Leavell places this mother/daughter drama within a historical context of emerging modernity. Reared among single, educated women like her mother, the poet embraced feminism and progressive era ideals from early adolescence. “Everyone loved her,” recalled William Carlos Williams of the years she lived in Greenwich Village, yet no one could fathom the “mother thing,” as he called it. After her mother’s death decades later, the aging recluse transformed herself, against all expectations, into a charismatic performer and beloved celebrity who was widely hailed as America’s greatest living poet. Elegantly written, meticulously researched, and critically acute, _Holding On Upside Down_ provides at last the biography that this major modernist and complex personality deserves.
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