Иан Томпсон0.0 Jamaica used to be the source of much of Britain's wealth, an island where slaves grew sugar and the money flowed in vast quantities. It was a tropical paradise for the planters, a Babylonian exile for the Africans shipped to the Caribbean. It became independent in 1962.
Jamaica is now a country in despair. It has become a cockpit of gang warfare, drug crime and poverty. Haunted by the legacy of imperialism, its social and racial divisions seem entrenched. Its extraordinary musical tradition and physical beauty are shadowed by casual murder, police brutality and political corruption.
Ian Thomson shows a side of Jamaica that tourists rarely see in their gated enclaves. He travelled country roads in buses and met ordinary Jamaicans in their homes and workplaces; and his encounters with the white elite, who still own most of Jamaica's businesses and newspapers, are unforgettable. Thomson brings alive the country's unique racial and ethnic mix; the all-pervading influence of the USA; and the increasing disillusionment felt by its people, who can't rely on the state for their most basic security. At the heart of the book is Jamaica's tense, uneasy relationship with Britain, to whom it remains politically and culturally bound
Уильям Файнс0.0 A bittersweet description of an ancient family house in an enchanted setting, and of growing up with a damaged brother.
William Fiennes spent his childhood in a moated castle, the perfect environment for a child with a brimming imagination. It is a house alive with history, beauty, and mystery, but the young boy growing up in it is equally in awe of his brother Richard. Eleven years older and a magnetic presence, Richard suffers from severe epilepsy. His illness influences the rhythms of the family and the house’s internal life, and his story inspires a journey, interwoven with a loving recollection, toward an understanding of the mind.
This is a song of home, of an adored brother and the miracle of consciousness. The chill of dark historical places coexists with the warmth and chatter of the family kitchen; the surrounding landscapes are distinguished by ancient trees, secret haunts, the moat’s depths and temptations. Bursting with tender detail, The Music Room is a sensuous tribute to place, memory, and the permanence of love. .
Iain Sinclair0.0 Once an Arcadian suburb of grand houses, orchards and conservatories, Hackney declined into a zone of asylums, hospitals and dirty industry. Persistently revived, reinvented, betrayed, it has become a symbol of inner-city chaos, crime and poverty.
Daniyal Mueenuddin3.0 Passing from the mannered drawing rooms of Pakistan’s cities to the harsh mud villages beyond, Daniyal Mueenuddin’s linked stories describe the interwoven lives of an aging feudal landowner, his servants and managers, and his extended family, industrialists who have lost touch with the land. In the spirit of Joyce’s Dubliners and Turgenev’s A Sportsman’s Sketches, these stories comprehensively illuminate a world, describing members of parliament and farm workers, Islamabad society girls and desperate servant women. A hard-driven politician at the height of his powers falls critically ill and seeks to perpetuate his legacy; a girl from a declining Lahori family becomes a wealthy relative’s mistress, thinking there will be no cost; an electrician confronts a violent assailant in order to protect his most valuable possession; a maidservant who advances herself through sexual favors unexpectedly falls in love.
Together the stories in In Other Rooms, Other Wonders make up a vivid portrait of feudal Pakistan, describing the advantages and constraints of social station, the dissolution of old ways, and the shock of change. Refined, sensuous, by turn humorous, elegiac, and tragic, Mueenuddin evokes the complexities of the Pakistani feudal order as it is undermined and transformed.
Качи А. Озумба0.0 Torn from his father and a loving sister, the young student Zuba is imprisoned for a crime he has not even thought about committing. His misfortune is to live in a world where corruption is rife and honest and law-abiding people are crushed by the wheels of a blind, unscrupulous bureaucracy.
Мадлен Бантинг0.0 "Guardian" columnist Madeleine Bunting is one of the most high-profile commentators in Britain. Her father was deeply conservative, with romantic, old-fashioned views about England. After his death, wanting to understand him better, Bunting began to explore his passionate, lifelong attachment to a small plot of land in North Yorkshire. Delving deep into the rich history of this acre, she uncovers traces of its Neolithic inhabitants and of the Cistercian monks; she learns of the medieval battles and considers the changing face of agriculture and leisure. The result sheds a fascinating light on what a contested, layered place England is, and on what belonging to a place might mean to all of us. "The Plot" is an original, heartfelt, and deeply political book.
