Издания и произведения

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial…

Эди работает в издательстве. И это не то чтобы работа мечты. Ведь Эди мечтает стать художницей. Как Артемизия Джентилески, как Караваджо, как Ван Гог. Писать шедевры, залитые артериальной кровью. Эди молода, в меру цинична, в меру безжалостна. В меру несчастна. По вечерам она пишет маслом, пытаясь переложить жизнь на холст. Но по утрам краски блекнут, и ей ничего не остается, кроме как обороняться от одолевающего ее разочарования. Неожиданно для самой себя она с головой уходит в отношения с мужчиной старше себя — Эриком. Он женат, но это брак без обязательств. Его жена Ребекка абсолютно не против их романа. И это должно напоминать…

Luster sees a young black woman figuring her way into life as an artist and into love in this darkly comic novel. She meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage. In this world of contemporary sexual manners and racial politics, Edie finds herself unemployed and living with Eric. She becomes hesitant friend to his wife and a de facto role model to his adopted daughter. Edie is the only black woman young Akila may know.

'A taut, sharp, funny book about being young now. It's brutal-and brilliant.' Zadie Smith WINNER OF THE KIRKUS PRIZE FOR FICTION 2020 LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 Meet Edie. Edie is not okay. She's messing up in her dead-end admin job in her all white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she does