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When you open up, who will you let in? When Alex Morris loses her fiancé in dreadful circumstances, she moves from London to Edinburgh to make a break with the past. Alex takes a job at a Pupil Referral Unit, which accepts the students excluded from other schools in the city. These are troubled, difficult kids and Alex is terrified of what she's taken on. There is one class - a group of five teenagers - who intimidate Alex and every other teacher on The Unit. But with the help of the Greek tragedies she teaches, Alex gradually develops a rapport with them. Finding them enthralled by tales of cruel fate and bloody revenge, she even…

Jane Marple este o doamnă în vârstă din St Mary Mead care posedă un talent neobişnuit pentru a rezolva chiar şi cele mai complicate enigme. Acum, pentru prima dată în ultimii patruzeci şi cinci de ani, personajul iubit al Agathei Christie revine în paginile unei cărţi şi ne invită într-o călătorie plină de mistere. În St Mary Mead, o cină de Crăciun este întreruptă de oaspeţi neaşteptaţi; scena de pe Broadway din New York este pregătită pentru o improvizaţie periculoasă; prevestiri rele înconjoară o moarte prematură la bordul unui vas de croazieră către Hong Kong; un scriitor de bestsellere aflat în vacanţă în Italia este prins într-un…

The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.
Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women's stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora - the first woman, who according to legend unloosed chaos upon the world - was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.
Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes - broadcaster, writer and passionate classicist - redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.

Few writers today have reshaped our view of the ancient Greek myths more than revered bestselling author Natalie Haynes. Divine Might is a female-centered look at Olympus and the Furies, focusing on the goddesses whose prowess, passions, jealousies, and desires rival those of their male kin, including:

Athene, who sprang fully formed from her father’s brow (giving Zeus a killer headache in the process), the goddess of war and provider of wise counsel.
Aphrodite, born of the foam (and sperm released from a Titan’s castrated testicles), the most beautiful of all the Olympian goddesses, the epitome of love who dispenses desire and inspires longing—yet harbors a fearsome vengeful side, doling out brutal punishments to those who displease her.
Hera, Zeus’s long-suffering wife, whose jealousy born of his repeated dalliances with mortals, nymphs, and other goddesses, leads her to wreak elaborate and often painful revenge on those she believes have wronged her. (Well, wouldn’t you?)
Demeter, goddess of the harvest and mother of Persephone; Artemis, the hunter and goddess of wild spaces; the Muses, the nine daughters of Zeus and Mnemosyne, the goddess of memory; and Hestia, goddess of domesticity and sacrificial fire.
Infused with Haynes’s engaging charm and irrepressible wit, Divine Might is a refreshing take on the legends and stories we thought we knew.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

When the sea god Poseidon assaults Medusa in Athene’s temple, the goddess is enraged. Furious by the violation of her sacred space, Athene takes revenge—on the young woman. Punished for Poseidon’s actions, Medusa is forever transformed. Writhing snakes replace her hair and her gaze will turn any living creature to stone. Cursed with the power to destroy all she loves with one look, Medusa condemns herself to a life of solitude.

Until Perseus embarks upon a fateful quest to fetch the head of a Gorgon . . .

In Stone Blind, classicist and comedian Natalie Haynes turns our understanding of this legendary myth on its head, bringing empathy and nuance to one of the earliest stories in which a woman—injured by a powerful man—is blamed, punished, and monstered for the assault. Delving into the origins of this mythic tale, Haynes revitalizes and reconstructs Medusa’s story with her passion and fierce wit, offering a timely retelling of this classic myth that speaks to us today.

*** Shortlisted for the Deanston Scottish Crime Book of the Year Award 2014 *** When you open up, who will you let in? Alex Morris has lost everything:her relationship, her career and her faith in the future. Moving to Edinburgh to escape her demons, Alex takes a job teaching at a Pupil Referral Unit. It's a place for kids whose behaviour is so extreme that they cannot be taught in a normal

Natalie Haynes is the nation's muse' Adam Rutherford
The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.
Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jaso

Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband.

Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change.

With the turn of these two events, a tragedy is set in motion. But not as you know it.

In The Children of Jocasta, Natalie Haynes takes a fresh perspective on an ancient story, reimagining in gripping prose how the Oedipus and Antigone stories would look if the oft-overlooked female characters took centre stage. Retelling the myth to reveal a new side of an ancient story.

Посреди ночи Креуса просыпается от грохота и видит, что ее любимая Троя охвачена пламенем. Десять долгих лет жестокого противостояния между греками и троянцами закончились. Греки победили. И в ближайшие часы жизнь, которую знала Креуса, обратится в смрад и пепел...

Разрушительные последствия падения Трои простираются от Олимпа до горы Ида, от троянской цитадели до далеких греческих островов, через моря и небеса.

Это роман о женщинах, втянутых в легендарную войну, а также о вражде среди богов и среди людей, приводящей к роковым последствиям.