Here are libraries modest, mobile, mystical (Borges of course) and magical (Helen Oyeyemi's enchanting 'Books and Roses'); public and private, provincial and prestigious. Little that happen in Elizabeth McCracken's eccentric library did not happen in real life - even down to the murder; and it is rumoured that on 3 June 1997 the British Museum Reading Room really was visited by the ghost of Max Beerbohm's obscurest of poets, Enoch Soames...
Fiction and reality merge in Cortazar's 'A Continuity of Parks'. Characters step out of their books in Fay Weldon's 'Lily Bart's Hat Shop', while Jasper Fforde's Jurisfiction operatives enter Wuthering Heights to deliver a Rage-Counselling session. Charles Lamb muses on the annoying book-borrowing habits of Samuel Taylor Coleridge; the teenage Teffi is overawed by Tolstoy; Helene Hanff in Manhattan launches her famous correspondence with a London antiquarian bookshop at 84 Charing Cross Road.
Reading, as the Queen informs an appalled private secretary, is 'untidy, discursive and perpetually inviting'. And also, of course, a lot of fun. Sit comfortably, then, and begin.
Here are libraries modest, mobile, mystical (Borges of course) and magical (Helen Oyeyemi's enchanting 'Books and Roses'); public and private, provincial and…
The town of Visegrad was long caught between the warring Ottoman and Austro-Hungarian Empires, but its sixteenth-century bridge survived unscathed--until 1914 when tensions in the Balkans triggered the first World War. Spanning generations, nationalities, and creeds, The Bridge on the Drina brilliantly illuminates a succession of lives that swirl around the majestic stone arches. Among them is that of the bridge's builder, a Serb kidnapped as a boy by the Ottomans; years later, as the empire's Grand Vezir, he decides to construct a bridge at the spot where he was parted from his mother. A workman named Radisav tries to hinder the construction, with horrific consequences. Later, the beautiful young Fata climbs the bridge's parapet to escape an arranged marriage, and, later still, an inveterate gambler named Milan risks everything on it in one final game with the devil. With humor and compassion, Ivo Andric chronicles the ordinary Catholics, Muslims, and Orthodox Christians whose lives are connected by the bridge, in a land that has itself been a bridge between East and West for centuries.
The town of Visegrad was long caught between the warring Ottoman and Austro-Hungarian Empires, but its sixteenth-century bridge survived unscathed--until 1914 when tensions in the…
Celebrated in their time and still popular over a century after their deaths, Robert Browning and Elizabeth Barrett had a unique relationship which is reflected in their work. Both were distinguished as poets before they met, and they learnt from one another without ever sacrificing their individuality. If Elizabeth recognized that Robert’s talent was the greater of the two, Robert understood that his wife’s voice was unique. All the great themes they shared are represented in this collection of their shorter poems – love, marriage, poetry, religion, England and Italy, the natural world – and the poems are accompanied by a selection from the marvellous letters they wrote to one another, especially in the years of their courtship. Among the items included are extracts from Aurora Leigh and Pauline, and the whole of Sonnets from the Portuguese, together with many lyrics and narrative poems by both poets.
Celebrated in their time and still popular over a century after their deaths, Robert Browning and Elizabeth Barrett had a unique relationship which is reflected in their work.…
Robert Graves, aged nineteen, left school within a week of the outbreak of World War I, and immediately volunteered with the Royal Welch Fusiliers. His experiences as a junior officer form the heart of this compelling autobiography. Beginning with an ironic overview of his Edwardian childhood, he proceeds to a tongue-in-cheek account of a young poet's life at public school (not helpful to be half-German, but handy to take up boxing), progressing to caricatures of military stereotypes he encounters in training, and the devastating farce of the War itself, the blundering and mismanagement, and the appalling human consequences. Graves's handling of the horrors of war is always deadpan, honest and unadorned. It is wholly in line with his sense of the absurd that his commanding officer should write to inform his parents that he had died of wounds during the battle of the Somme. He soon found that patriotism was meaningless to the men in the trenches; loyalty to comrades alive and dead drove him back to active service though still suffering from shell-shock.
Goodbye to All That takes Graves through his convalescence in England, his efforts to protect the poet Siegfried Sassoon, a friend and fellow officer, from the consequences of his public denunciation of the war; marriage to artist and feminist Nancy Nicholson, postwar undergraduate years at Oxford and a decade as a struggling writer with four young children, beset with money problems and neurasthenia. It is written in a spirit of defiance as he prepared to put 'all that' behind him and begin a new life in Majorca with the American poet Laura Riding.
Robert Graves, aged nineteen, left school within a week of the outbreak of World War I, and immediately volunteered with the Royal Welch Fusiliers. His experiences as a junior…
From Li Bai's 'Bring in the Ale' to Ted Kooser's 'Beer Bottle'; from Robert Burns's' John Barleycorn' to Carol Ann Duffy's 'John Barleycorn' (no, you are not seeing double), the poems collected here attest to humankind's long and joyous (mostly) relationship with the world's most popular alcoholic beverage. A surprising number of authors, and perhaps some surprising authors, have added their tributes to the brew. Here, to name but a few, we find Charles Baudelaire, John Betjamen, William Blake, Bertolt Brecht, Raymond Carver, Amy Clampitt, Emily Dickinson, Benjamin Franklin, Robert Graves, Langston Hughes, Eric Idle, E. Nesbit, Flann O'Brien, Frank O'Hara, Sylvia Plath, Arthur RImbaud, Rumi and Hank WIlliams, all rather less than sober. Unsurprisingly, 'Anon.' is widely represented, in particularly exuberant spirits. There are recipes, and hangovers (inevitably); there's singing ... a hymn to NInkasi, ancient Sumerian goddess of beer, Prohibition protest songs and old English drinking catches; there is philosophy (of a sort), and consolation. Whether pulling up at the celestial bar in Keats's 'Mermaid Tavern' or at the grittier, jazzier one in Carl Sandburg's 'Honky Tonk in Cleveland, Ohio', lovers of beer and poetry are sure to find something to celebrate in these pages.
From Li Bai's 'Bring in the Ale' to Ted Kooser's 'Beer Bottle'; from Robert Burns's' John Barleycorn' to Carol Ann Duffy's 'John Barleycorn' (no, you are not seeing double), the…
Woven through all these tales are the unique histories and mythologies of the regions of Southern Italy, encompassing Sicily, Calabria, Cantania, Basilicata, Apulia and Campania. Theocritus, Virgil and Ovid evoke a Sicily populated by Cyclopes and sea monsters, while in an excerpt from The Smile of the Unknown Mariner Vincenzo Consolo depicts the island in 1860, on the frontline in Italy's war of independence. The South's legendary legacy of brigandage and organized crime enlivens the stories of Leonardo Sciascia, Carlo Levi and Joseph Conrad. Curzio Malaparte and Norman Lewis immortalize the wreckage of Naples and the indomitable spirit of its people during World War II, and Elena Ferrante paints a spectacular portrait of a poor but vibrant Neapolitan neighbourhood in an excerpt from the bestselling My Brilliant Friend. Collectively, these entertaining tales plunge readers into the sometimes harsh and troubled, but always seductive and vital world of Italy's Mezzogiorno
Woven through all these tales are the unique histories and mythologies of the regions of Southern Italy, encompassing Sicily, Calabria, Cantania, Basilicata, Apulia and Campania.…
Describing his collection of Essays as ‘a book consubstantial with its author’, Montaigne identified both the power and the charm of a work which introduces us to one of the most attractive figures in European literature. A humanist, a sceptic, an acute observer of himself and others, he reflects the great themes of existence through the prism of his own self-consciousness. Apparent in every line he wrote, his virtues of tolerance, moderation and disinterested inquiry amount to an undeclared manifesto for the Enlightenment, whose prophet he is. This complete edition of his works supplements the Essays with travel diaries and letters, thereby completing the portrait of a true Renaissance man.
Describing his collection of Essays as ‘a book consubstantial with its author’, Montaigne identified both the power and the charm of a work which introduces us to one of the most…
The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers.
The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe.
Here are Rumi and Rilke on the rose; Herrick and Louise Gluck on the lily; Chaucer, Emily Dickinson and Jon Silkin on the daisy; Mary Robinson and Ted Hughes on the snowdrop; Lorenzo de Medici, John Clare and Alice Oswald on the violet; Hugo and Roethke on carnations; Ovid and Goethe on poppies; Blake and Eugenio Montale on the sunflower; Christina Rossetti on heartsease and forget-me-nots; Emily Bronte on harebells and heather, Seamus Heaney on lupins, Pasternak on night-scented stock...
Eastern cultures, rich in flower associations, are well represented: there are Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, roses, tulips and narcissi from Persia, the Ottoman empire and the Arabic world.
Flowers are arranged by season, with roses and lilies in a section of their own. In a final section poets comment directly or indirectly on the language of flowers itself. The book concludes with a selected glossary drawn from several celebrated Victorian collections.
The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair,…
This unique collection of medical stories approaches its theme from many eras and perspectives. Some of the authors included were themselves physicians, notably Chekhov, Conan Doyle, Somerset Maugham and William Carlos Williams. Bulgakov, too, draws on his own experience as a doctor in rural Russia a century ago, while Anna Kavan's story from Asylum Piece, takes a surreal look inside a Swiss psychiatric clinic, and Lorrie Moore's witty, grief-stricken Mother in 'People Like Us Are the Only People Here' examines the feelings of a parent with a child in the Paediatric Oncology war - 'Peed Onk'. Maupassant, Stevenson, Kipling, Conrad, Graham Greene, O. Henry, J. G. Ballard, Robert Heinlein, Dorothy Parker, Jhumpa Lahiri and Alice Munro all feature. Doctors observe patients; patients observe doctors. Nurses go about their important business, not always appreciated. Not quite everyone is healed. The meaning of illness - does it have any? - and of life itself, is called into question - and all in the most entertaining way imaginable.
This unique collection of medical stories approaches its theme from many eras and perspectives. Some of the authors included were themselves physicians, notably Chekhov, Conan…
This wide-ranging anthology pays tribute to fathers young and old. At one end of the spectrum, a touching story by Ann Packer tells of a man preparing for the wonder and terror of his first child’s birth, and from Frank O’Connor’s comes a hilarious tale of a small boy’s war against his paternal rival in ‘My Oedipus Complex’. At the other, John Updike’s ‘My Father’s Tears’ and Jim Shepard’s ‘The Mortality of Parents’ bring us face to face with a loss that is like no other. Maupassant, Kakfa, Nabokov, Edith Wharton, Raymond Carver, Graham Swift, Julian Barnes, Helen Simpson …all these and more offer a wonderful assortment of fictional takes on the paternal bond.
This wide-ranging anthology pays tribute to fathers young and old. At one end of the spectrum, a touching story by Ann Packer tells of a man preparing for the wonder and terror of…
The famous stage-designer Ivan Bilibin was a self-taught artist who was lucky enough to be offered the commission of a lifetime at the very start of his career. In 1899 the Department for the Production of State Documents asked this young Russian artist to illustrate a series of fairy tales, a task that took him four years to complete and inspired his finest work, reflecting his deep love for his country and his passionate interest in its national dress and wooden architecture. This, with ten other traditional tales, make up the collection for which all Bilibin's original artwork has been faithfully reproduced. Gillian Avery has provided a retelling of the texts which admirably complements Bilibin's distinctive illustration, itself rooted in the stylized forms of Russian folk and medieval art.
The famous stage-designer Ivan Bilibin was a self-taught artist who was lucky enough to be offered the commission of a lifetime at the very start of his career. In 1899 the…
The same inimitable voice and dazzling insights that make Emily Dickinson's poems immortal can be found in the whimsical, humorous, and often deeply moving letters she wrote to her family and friends throughout her life. The selection of letters presented here provides a fuller picture of the eccentric recluse of legend, showing how immersed in life she was: we see her tending her garden; baking bread; marking the marriages, births, and deaths of those she loved; reaching out for intellectual companionship; and confessing her personal joys and sorrows. These letters, invaluable for the light they shed on their author, are, as well, a pure pleasure to read.
The same inimitable voice and dazzling insights that make Emily Dickinson's poems immortal can be found in the whimsical, humorous, and often deeply moving letters she wrote…
Given that insects vastly outnumber us (there are approximately 200 million insects for every human) it is no surprise that there is a rich body of verse on the creeping, scuttling, flitting, stinging things with which we share our planet.
Many cultures have centuries-old traditions of insect poetry. In China,where noblewomen of the Tang dynasty kept crickets in gold cages-countless songs were written in praise of these 'insect musicians'. The haiku masters of Japan were similarly inspired, though spread their net wider to include less prepossessing bugs such as houseflies, fleas and mosquitoes. In the West, poems about insects date back to the ancient Greeks, and insects feature frequently in European literature from the 16th century onwards.
The poets collected here range from Donne, Marvell, Keats and Wordsworth; Emily Dickinson, Gerard Manley Hopkins and Christina Rossetti, to Elizabeth Bishop, Mary Oliver, Ted Hughes, Paul Muldoon and Alice Oswald. In translation there is verse by - amongst others - Meleager and Tu Fu, Ivan Turgenev, Victor Hugo, Paul Valery, Pablo Neruda, Antonio Machado and Xi Chuan.
Bees, butterflies and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybirds and glowworms--the miniature creatures that adorn these pages are as varied as the poetic talents that celebrate them.
Given that insects vastly outnumber us (there are approximately 200 million insects for every human) it is no surprise that there is a rich body of verse on the creeping,…
Scottish Stories is a treasury of great writing from a richly literary land, where the short story has flourished for over two centuries. Here are chilling supernatural stories from Robert Louis Stevenson, Eric Linklater and Dorothy K. Haynes; side-splittingly funny stories from Alasdair Gray and Irvine Welsh; a stylish offering from urban realist William McIlvanney. Iain Crichton Smith evokes the Gaelic-speaking highlands, George Mackay-Brown the Orkney islands, Andrew O'Hagan working-class Glasgow; while Leila Aboulela, originally from Sudan, ponders the relations between colonizers and colonized from her home in Aberdeen. Though there is no one 'Scottishness' that binds the authors together, writes editor Gerard Carruthers, each has a Scottish footprint or accent. And perhaps more importantly, all are masters of their form.
Scottish Stories is a treasury of great writing from a richly literary land, where the short story has flourished for over two centuries. Here are chilling supernatural stories…
Stories of Motherhood gathers together more than a century of short fiction from a wide variety of authors in a literary celebration of the most elemental of human relationships. Willa Cather, Edith Wharton, Sherwood Anderson, Elizabeth Bowen, Anita Desai, Colm Toibin, Lorrie Moore and many others write memorably about mothers – having, leaving, loving and losing them – in stories lyrical and satirical, realistic and fantastic, hilarious and heartbreaking.
Stories of Motherhood gathers together more than a century of short fiction from a wide variety of authors in a literary celebration of the most elemental of human relationships.…
London has the greatest literary tradition of any city in the world. Its roll-call of story-tellers includes cultural giants who changed the way the world thought about writing, like Shakespeare, Defoe and Dickens. But there has also been an innumerable host of writers who have sought to capture the essence of London and what it meant for the people who lived there or were merely passing through. They found a city of boundless wealth and ragged squalor, of moving tragedy and riotous joy; and they faithfully transcribed what they saw and felt in the stories they told of London town.
Jerry White has collected some thirty stories to illustrate the extraordinary diversity of both London life and London writing over the past four centuries, from the time of Shakespeare to the present day. They are stories of fact and fiction and occasionally something in between. Some voices will be familiar to many readers and others practically unknown. But all give us insights into these writers’ very varied Londons; and all tell their stories gratifyingly well.
Authors include John Evelyn, Thomas de Quincey, W. M. Thackeray, Henry Mayhew, Sir Arthur Conan Doyle, George Gissing, J. B. Priestley, Jean Rhys, Graham Greene, Muriel Spark, Maeve Binchy, Doris Lessing, Hanif Kureishi and Shena Mackay.
London has the greatest literary tradition of any city in the world. Its roll-call of story-tellers includes cultural giants who changed the way the world thought about writing,…
Samuel Beckett is the greatest Irish novelist of the later twentieth century, and this trilogy of novels is his masterpiece -which makes it perhaps the outstanding literary work of our time. Because Beckett has a reputation for being difficult, even obscure, readers of the trilogy are bound to be struck not only by the verbal brilliance and inventiveness of the three novels, but also by their extraordinary humour which ranges from wit to broad comedy and even farce in a recognizably Irish way. Each story records an episode of human endurance in the face of metaphysical adversity with compassion and wisdom and each is a compelling narrative in itself in the great tradition of European fiction from Flaubert to Joyce.
Samuel Beckett is the greatest Irish novelist of the later twentieth century, and this trilogy of novels is his masterpiece -which makes it perhaps the outstanding literary work…
Foreshadowing his later detailed accounts of the Soviet prison-camp system, Solzhenitsyn's classic portrayal of life in the gulag is all the more powerful for being slighter and more personal than those later monumental volumes. Continuing the tradition of the great nineteenth-century Russian novelists, especially Dostoevsky and Tolstoy, Solzhenitsyn is fully worthy of them in narrative power and moral authority. His greatest work.
Foreshadowing his later detailed accounts of the Soviet prison-camp system, Solzhenitsyn's classic portrayal of life in the gulag is all the more powerful for being slighter and…
Newly revised by the author for this edition, and printed together in one volume for the first time, Updike's four Rabbit novels chronicle the history of a man and a nation from the 1950s to the 1980s. Harry 'Rabbit' Angstrom, athlete, is Mr Middle America. Dazzling in style, tender in feeling, often erotic in description and coruscating with realistic details which recreate a world in each novel, these books give a complete picture of their age.
Newly revised by the author for this edition, and printed together in one volume for the first time, Updike's four Rabbit novels chronicle the history of a man and a nation from…
In the comic masterpiece which established him one of the greatest writers in the English language, Naipaul follows the fortunes of Mr Biswas, the outsider who refuses to conform to the customs of his grander in-laws whose house he lives in. Finally finding a house of his own, he triumphs over the smaller minds who would repress him.
In the comic masterpiece which established him one of the greatest writers in the English language, Naipaul follows the fortunes of Mr Biswas, the outsider who refuses to conform…
